Andrew Cushin

Andrew Cushin - You Don’t Belong

Not content with recording with Noel Gallagher, Geordie sensation Andrew Cushin has been opening for him on some massive outdoor gigs this summer. Cushin has released his debut EP ‘You Don’t Belong’ to mark the celebration. Written but Cushin, it was produced by Jason Stafford and recorded The Libertines’ iconic Albion Rooms studio in Margate.

To date, Cushin has released a litany of melancholic tales blessed with Gallagher’s key change joy and soulful lyrics. ‘You Don’t Belong’ for the most part, buries his past and departs on a bombastic carnival ride.

The title track and ‘Yeah Yeah Yeah’ fly out of the traps. The former peacocking across the stage with a glam stomp to get awaken the senses. The absence of a killer solo lets down the guitar hook, Cushin vocals, and its energy. An absence that is remedied on ‘Yeah Yeah Yeah’. The pop-mod immediacy of Ocean Colour Scene’s ‘Goodbye Old Town’ is met with a joyous solo that sounds like Stephen Stills joined ELO.

Stills’ penchant for debauchery and infectious rapture is rolled out to full effect on the Noel Gallagher-inspired ‘Catch Me If You Can’. Cushin spectacularly finds a way of pulling in the dynamism of ‘Keep on Reaching’ and the wonder of ‘Revolution Song’ into the hedonism of Stills’ guitars.

Cushin returns to his archetypal sound on ‘Runaway’. A track was written on the fly in homage to Gallagher’s ‘Supersonic’. Cushin paints tortured souls like no other and, as the exceptional stargazing production soars, his soul falls into the gutter:

“You drink yourself to death / just like you always do / like the wind used to”

Although it leaves you hollow and despairing, the heart will remain full for this is a young man reminding us all that a working-class hero is still something to be!

*Image courtesy of Sonic PR

Andrew Cushin – Memories

Image and artwork courtesy of Sonic PR

Image and artwork courtesy of Sonic PR

Newcastle starlet Andrew Cushin has returned with the new single ‘Memories’. Released alongside a great merch bundle, Cushin attempts to continue his meteoric rise.

It’s not too overstated to say Cushin is the heir to Noel’s throne. His ability to conjure a sense of belonging is first-rate. Where Noel always seems to be at the limit of his vocals (great as they are), Cushin has an effortless power that surpasses his former producer.

This is Cushin’s most accomplished tune to date. His love affair with Richard Ashcroft shines bright as the acoustic guitars bristle with hope whilst Nick McCabe’s little nuggets of gilder flitter in and out of view. Together, they summon huge levels of affection and empathy on this tale of defiance.

The nod to booze and blocking out the pain is fleeting but, gut-wrenching. Cushin, in one soul powerhouse couplet, gets to the heart of the common man’s fallibility in the modern world:

 “what is a man / what can he do”

The haunting backing vocals (by Cushin) of ‘days pass me by’ ram home the lost soul looking for his place achingly but, expertly.

Cushin has skipped his apprenticeship and gone straight to masterful. The more backing he gets in the studio will surely bring bigger and better results for the songsmith. To do it all, virtually, without live interactions is not just remarkable, it’s a triumph of the human spirit!

Andrew Cushin - Where’s My Family Gone?

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Newcastle’s Andrew Cushin is back with his latest single ‘Where’s My Family Gone?’ and, this time he brought his mates. Having forged a friendship with Noel Gallagher after his praise of former single ‘Waiting For The Rain’, Gallagher stepped in to produce, provide guitars and backing vocals. From demos to Virgin Records and supporting Two Door Cinema Club, Cushin’s rise is one of 2020’s music industry success stories.

From the moment took Ashcroft’s modern classic ‘They Don’t Own Me’ and channelled it through Gallagher’s aching,

It was inevitable Gallagher would become a kindred spirit. They share the ability to paint broken and battered landscapes with the merest of chinks of light to sow seeds of hope. ‘Where’s My Family Gone?’ reaches into the heart of Gallagher’s ‘The Dying of the Light’ and ‘Right Stuff’ and pulls out another aching gem.

Where Cushin departs from his idol and mentor is lyrically. Where Gallagher buried his family past, Cushin has opened his heart and, in a time of such despair, is highly welcomed.  

Noel’s influence is apparent to see, the ‘Riverman’ solo illuminates Cushin’s pain and the production begins to paint broader horizons for him to search. The past eats away at the mortals. For the greats, well, they turn into something we all want to follow.

Andrew Cushin - Waiting For The Rain

Newcastle’s Andrew Cushin is back with his new single ‘Waiting For The Rain’. Cushin originally wrote this as a 15-year-old and has worked this up during lockdown.

With nuance deteriorating and misunderstanding rife, Cushin’s moment of personal reflection is a welcomed step back from the affray. Utilising the defiance of Richard Ashcroft’s ‘They Don’t Own Me’ and the melancholic beauty of Johnny Greenwood’s ‘High and Dry’, he allows the world to contemplate what truly matters.

His soulful vocals will linger on your heartstrings. More polished than his new best mate Noel Gallagher’s, but, equal in their ability to create an aching sense of escapism. Coupled with the lyrics about a family argument he ran out on as a child to his best friend, and something truly special is materialising.