Artwork by Josh Washington
In 2021, Ian M Bailey released his Byrds-inspired debut ‘Songs To Dream Along To’ and was one of the surprise packages of the year. During its creation, he collaborated with his long-time friend Daniel Wylie of Cosmic Rough Riders fame. Wylie, in 2021 also released an album. His ‘Atoms and Energy’ album took a step back from his archetypal Neil Young and Norman Blake guitar sound to deal with discourses of grief, domestic violence, and regret.
The two worked together for the entirety of Bailey’s second album ‘You Paint The Pictures’. Would the two mindsets of 2021 still be present, would they clash and produce great art? We take a look.
The album was recorded at Bailey’s home studio Small Space Studios in England with Alan Gregson mastering the album as well as providing strings and Hammond (Life Without You) and slide guitar (Lover’s Song). It will be released on the 28th of October via Kool Kat Musik.
If they were in the same place mentally, Bailey’s enthusiasm from his debut certainly infiltrated Wylie and brought him back to the light. Positivity is the album’s life source with many a message coming from the point of view of a father wanting to help. ‘Hey Little Girl’ vocally and musically adopts the simple yet eloquent mind of Gene Clark on ‘True One’. Tinged with country and Ian Broudie-esque backing vocals, its message of hope to younger generations glides into hearts and minds. ‘Change Is Easy’ however, is what defiance sounds like in your mid-fifties. Determined to stay alive for their children, they espouse lyrical couplets to raise up and inspire those they love the most.
Baileys’s previous album and, Wylie’s previous few have been of undeniable quality. The only criticism to be found in any of them is creatively, they’ve resided in scenes that have been and gone. On ‘Year Of The Tiger’, ‘I Don’t Want To Start Again’, and ‘Dreams of Love’ they begin to take their influences down new avenues to forge their own path. ‘Year Of The Tiger’ takes the lysergic licks of Johnny Marr’s ‘The Messenger’ and the hypnotic keys of The Doors for a trip a la Moon Duo. ‘I Don’t Want To Start Again’ has the hallmarks of The Byrds and Ian Matthews Southern Comfort but, is blessed with the immediacy of Peter Buck’s guitar playing circa ‘Document’ and ‘Green’. Whilst the melodies are angelic, the tone meanders to the darker planes as they decree my “life is running down the hall”. The song offers great uplifts, enough to distract from you its stark reality of life is short but, the closing keys bring the brutish reality home!
It’s on the latter, ‘Dreams Of Love’ where the duo truly excels in using the past to conjure something new. Wylie draws on his classic ‘Enjoy The Melodic Sunshine’ with the trippy percussive elements from ‘The Gun Wasn’t Loaded’ and ‘Baby, You’re So Free’ whilst Bailey perfects his Ian Matthews ethereal vocals. The song builds with the orchestrated majesty of Scott Walker and destructs like Richard Hawley’s grief-ridden classic ‘Standing At The Sky’s Edge’. The booming guitars release a pain unparalleled by an artist this year.
On ‘Brazil’ the guitars nod to Peter Green in his more relaxed Splinter Group Days and the effortlessness of Santana. Bailey’s vocals are supreme. They dip into modern-day Weller on ‘Be Sunset’ and ‘Fat ‘Pop’ and the mysticism of George Harrison and the feather-light genius of Elliot Smith. There ever so withdrawn style allows for the Moody Blues keys and the Sanatana solo to burn brightest.
Rather than the two opposing outlooks of their debuts colliding to produce great music, it has been a far simpler tale of two like-minded friends collaborating for the greater good. Wylie’s abilities have lifted Bailey’s songs to the next level, may their partnership long continue.
The album is released on the 28th October. Be sure to check here to listen to additional songs. You can pre-order the album here https://ianbaileymusic.bigcartel.com/product/you-paint-the-pictures
