Pulp: The 02 Arena (Friday), London

Just over a week ago, we witnessed Pulp’s return to London as they played a sold-out 02 Arena. With no support, the Sheffield icons played two sets. Could they pull it off, or would it stray into the self-indulgence of Springsteen?

*image credit: Indie Cult Club

Backed by an orchestra and a stunning set display, they launch in their new album with ‘Spike Island’, ‘Grown Ups’, and ‘Slow Jam’ to remind the twenty thousand in attendance that this is not a nostalgia fest.

Despite the disco-enthused prowess of Spike Island and later in the set, the lush orchestrated pop of Tina, it’s hard to escape the power of their past. ‘Sorted For E’s and Whiz’, ‘Acryllic Afternoons’, and ‘F.E.E.L.I.N.G.C.A.L.L.E.D’ prove yet again that counter-culture and indie can offer moments of alternative euphoria still.

Cocker, playful throughout the show, revisited the darker times of ‘This Is Hardcore’. Twenty-seven years after its release, The Fear echoed through the arena. Once a raw reflection of personal trauma, now a towering anthem forged from the wreckage of heavy drug use and its fallout.

On, ‘Disco 2000’, the band and crowd marched back into their triumphant 1996. It was an ecstatic release of joy the set never got close to again. Wave upon wave of blissful emotion soared as Pulp reminded everyone that once, the freaks, geeks, and outsiders once ruled the charts.

Indulgent? No. Missing a support act? Yes. However, Pulp was right; we did, and do, want more!

Cabbage – Torture

In the run up to their debut album, Cabbage played a string of shows where, for half a set, they would blow crowds away with their wobbled synth-punk-psyche. The other half, would fall flat. Sadly, this filtered into the album too. The early menace of the ‘Le Chou’ and ‘Uber Capitalist Death Trade’ started to dissipate, and so, this comeback single is a big moment for them. Can they recapture the glory?

In short, not exactly. The fire and wobble of guitars and synths as faded to a new take on Phil Spector pop. Clearer and more distinct, they’ve found a way for their lyrical bullets to be fired without anyone really noticing.

History often repeats itself in some form or another. ‘Torture’ has the hallmarks of Pulp’s 1996 classics ‘Mis-Shapes’ and ‘Common People’. The target is firmly on the Tories and their years of austerity. Like their Sheffield peers, they’ve shrouded their attack in a singalong masterclass. SO vibrant, so catchy, and armed to the teeth bombs to attack the “6 toed born to rule pony fuckers”.

Musically though, just where have they plucked this 60s girl group meets Manchester psyche classic from? It’s not that weren’t capable, its just so spectacular good. Please let this be the single that breaks through on to Radio 1 a-list. Let this sit in-between Khalid and 1975. Some will say this is distorting the norm, we say bollocks! This was always the norm! ‘Cigarettes and Alcohol’ meshed in between Ace of Base and Whigfield, splice of life!