The Native

The Native – Looking Back

Plymouth outfit The native recently released their debut EP ‘Looking Back’ via This Feeling Records. It comes off the back of the Reading & Leeds Festival and appearing on Soccer AM. It was produced by John Cornfield (Oasis / Stone Roses) and mixed by Grammy Award-winning Adrian Bushby (Everything Everything).

Some bands thrive on the fringes. They can tear up the rule book and conjure a new scene from thin air. Then, there are bands like The Native. They come fully formed destined for the centre ground. Not enough for the punks but, everything to who believe in headline togetherness of The Killers or a Coldplay.

The Devon band have real intent on creating something epic before their time is up. On the latest single ‘Looking Back’, they race to the centre ground of indie-pop. They condense down the euphoria of Embrace and try to motor skywards. Whereas, ‘Blindside’ tunnels into hearts with bombastic drumming keeping it on the right side of credibility.

There is a brief moment on ‘If Not Now, Then When?’ where they strip it all back and stray into the world of acoustic guitar blandness. Without the age behind them to crash into life’s failures, it doesn’t land the depth this kind of song needs to succeed.

However, when they let their youthful exuberance of the leash on ‘All Or Nothing’, taps into the emotive power of Starsailor and eloquence of the DMA’s. Similarly, to Snow Patrol’s breakthrough, few will be able to ignore its beauty and Edge-esque solo

You'd be forgiven for rolling your eyes if this was a band three albums deep. The fact is, this is a debut EP and The Native have emerged with a decent swing at mainstream indie. With the chancellor on a path to destruction, mercifully, The Native offer a flicker of light as they hint at Editors’ haunting qualities, Blossoms pop instincts, and The Railway Children’s rueful melodies.

*Images courtesy of Fear PR

The Native - Changes

Plymouth’s The Native are back with their new single ‘Changes’. It was produced by John Cornfield (Oasis / Stone Roses) and mixed by Grammy Award-winning Adrian Bushby (Everything Everything).

Sam Fender’s positive influence on the UK guitar scene is laid bare in this new single. The infectious jingle-jangle is met with a breathy melancholic vocal in the intro. The injection of Tom Lumley-esque fury not only alters the song’s trajectory, but it also propels the band beyond any feeling of Fender parody.

The dramatic shift in urgency is the perfect sonic to this tale of standing tall. Whilst frontman Charlie Noordewier vocals strike a superstar accord, this record shines because of its gang mentality. Its chest-beating power comes with open arms, join them or be a naysayer, the choice is yours.

The us versus the world aura they conjure is truly intriguing. Most do via escapist riffs or some visceral polemic. The Natives walk the more dangerous tightrope of painting with broad brushstrokes. One way lies The K’s, The Jam, and Oasis, the other direction be the beige of Keane, Foals, and latter-day Coldplay. The Natives, interestingly, sonically have more in common with the latter but, the spirit of the former keeps the edges harder and their lyrics razor sharp. As Noordewier decrees “I can only do so much / I know the world is tired but at least just try”, images of those two tribes coming together formulate poetic images in the mind.