Deja Vega

The recent Shiiine On Weekender didn’t feature many new acts, but, opening Eddy Temple Morris’ closing party were Cheshire three piece Deja Vega. They did not disappoint.

So, as soon as the hangovers and comedowns had gone, we checked out their stuff on Spotify:

Friends In High Places

They are few better ways to announce yourself than this. Big booming dirge guitars compelling you to ramp up the volume to Spinal Tap’s magic ‘11’.

Jack Fearon’s vocals a not what you expect of a new band. They are bristling with fury and angst like all good newcomers should but, the nuances on display are wise beyond his years.  As Fearon rages his way through the song, the expectancy of an eruption keeps on building until he lets loose on the guitar once more. The big soaring riffs encapsulate the spirit of Kasabian’s debut album but with the huge stadium filling ambition of Oasis and The Who.


Tom Webster’s drumming is absolutely ferocious here. They have a desperation so unhinged, we guarantee you will be left feeling fragile by the end. Meanwhile, Fearon’s guitars combine elements of Beefheart’s ‘Zig Zag Wanderer’ with the escapism of ‘Live Forever’. Together, they inject a much needed dose of adrenaline and hope into the world of psyche.

Skeletons In The Florist  

A more measured and dysfunctional side to Deja Vega showcases the bands darker side. This post-punk offing is filled with explosions of noise that come charging head on with violence and destruction. No one is matching this at present.

Once more, Fearon offers some nuggets of gold on the guitar. The haunting riff after the initial chorus, coalesces The Horror’s feral seaside style of ‘Primary Colours’ with the aggression of The Rifles before firing an all-out assault in the closing stages.