Sea Power: Islington Assembly, London

Last week, national treasures Sea Power rolled back the clock to 2009 to play ‘Do You Like Rock Music?’ in full at London’s Islington Assembly. Back then, it was their highest charting album (no.10) and would remain so until February 2022’s ‘Everything Was Forever’.

Click the image to buy the anniversary reissue edition.

While the element of surprise is lost from the setlist, their ability to drop jaws is not. ‘Down On The Ground’ swelled with the grandeur of the Last Night of the Proms, whilst ‘All In It Now’ kicked off like a euphoric battle cry from Game of Thrones.

Examining DYLRM without packaging up ‘Lights Out for Darker Skies’, ‘No Lucifer’, and ‘Waving Flags’ is impossible. Once ‘All In It Now’ ushers you in, the album explodes into life and life; it feels almost gladiatorial. The former creates sparks with every lick until Martin Noble’s guitars scorch the earth in the closing stages. ‘No Lucifer’, with the adopted terrace chant (from wrestling icon Big Daddy), still carries a fire and depth to match anything from the cannon of Arcade Fire, a band which Sea Power was unfairly denigrated against in the 00s. On ‘Waving Flags’, Sea Power reminds us to fight fire with fire. The 00s were awash with anti-immigration, but a grown-up approach was taken under Blair and Brown. Cameron’s wretched part adopted nasty campaign tactics and opened the door to the hard right, whose sphincter still twitches with too much ferocity in the debate. Noble’s guitars kiss greatness here, but it’s the power of the lyrics that transcend. The welcoming message to those who have held up our economy and public services amid rapid decline is a stark reminder that rock ‘n’ roll could and should fight the good fight!

‘The Great Skua’, in many ways, is the blueprint to their success post-2009 and is delivered to a stunned silence. After twenty-one years, the crashing orchestration allows a pause for thought about this remarkable band. The rise and falls conjure such mesmerising drama, only topped by the choral crescendo. This ebbs into ‘Atom’ like a gentle tide before running amok like their peers, The Maccabees and The Rifles, but with the majesty of Bowie and the carnival mayhem of Arcade Fire and Polyphonic Spree.

‘Do You Like Rock Music’, we wager, is not many of Sea Power’s fans favourite. Part of their charm has always been the wayward disruption of ‘Remember Me’ or, increasingly, the washed-out joy of a ‘Two Fingers’ or ‘Bad Bohemian’ in its wake. It is, however, an album that all fans love and the adulation in the room was tangible. It serves as a reminder that indie rock ‘n’ roll can be mainstream and not about lager. Wild but intelligent, boisterous yet elegant. This set of juxtapositions is met rapturously and tenderly. Happy birthday old friend!