JW Paris

JW Paris - Anything

London-based JW Paris recently released their latest single ‘Anything’ via Blaggers Records.

*banner image credit: Taylor Conboy

JW Paris - Anything

Artwork credit: Daniel Collins. Courtesy of Vanadian Avenue

With Blur’s ‘Tracey Jacks’ emblazoned across their hearts, JW Paris takes a wry look at modern life in London. Soaked in Camden’s past, they point to a broader, far more dystopian present in this anarchy-driven moment of guitar joy.

London may not sprawl endlessly, but it remains disorienting enough for anyone to lose their footing. The protagonist here edges close to being overwhelmed by the city’s intensity, searching for meaning and a sense of cultural or political quiet, only to find the opposite.

Musically, the track draws on the razor-edged guitar work of Elastica and the melodic sensibility of ‘Modern Life Is Rubbish. Danny Collins and Aaron Forde deliver verse vocals with a controlled, cunning quality reminiscent of Louise Wener’s ‘Bedhead’-era performances. The chorus then opens out into a rush of art-rock euphoria straight from the mid-’90s playbook, anchoring the song firmly within its influences while keeping its own voice intact.

Time and time again, JW Paris proves they’re nothing short of remarkable. Soon, the world will catch up!

JWP Paris – Electric Candle Light

Fresh from their Leave The Capital tour, JW Paris are back with their new single ‘Electric Candle Light’. Recorded at Buffalo Studios. It was produced by Kula Shaker cohort JB Pilon and released last Friday via Blagger Records.

‘Electric Candle Light’ is a tale of nostalgia and yearning for better days but, is musically rooted in the present wave of punk! Danny Collins’ twisted and deranged guitars look to The Kecks with hints of Shame to conjure a future of lawlessness which, oddly is incredibly appealing. The nihilistic psychedelia combines with the resounding hook akin to Sleeper’s classic ‘Inbetweener’ to make it truly irrepressible.

The Blade Runner scenery is enhanced by Collins and Forde’s vocals as they inject raw aggression into the joy of James McGovern (The Murder Capital) and add a snarling immediacy to Opus Kink’s Angus Rogers.

Intense, yes, but it’s riddled with great pop sensibilities. The soft vocals before the climactic end, the big bluesy riffs, and, the incredible synth solo all serve as a reminder of what alt-pop can be.

As powerful as PJ Harvey and as unhinged as The Fall, JW Paris will surely wow crowds on tour with The Skinner Brothers.

*Image courtesy of C24Photography