Miles Kane

Tom Lumley & The Brave Liaison - Sign of the Times

The Cambridge four piece, recently released their debut EP ‘Sign of the Times’ in April. Released via Fort Records, each song attempts to raise awareness of mental health problems. As this is Mental Health Awareness week, we saw it only fitting to review his EP.

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There is a huge sway of material of late, that covers mental health. Some deliver with integrity but no quality, and vice-a-versa. Step forward the song writing partnership of Tom Lumley and Jake Day.

Musically, they have given indie-rock its clout back. Ruthlessly vital and adrenaline pumped, audiences are going to be swaying in one unified sweat ridden mess to this set of songs, when they can again.

‘New York Paranoia’ is the sound of a new epoch of teenagers fronting up to its detractors. The spikiness of the verses melts, into the best guitar solo in a generation. Loaded with anxiety, but, oozing with a ferocious melody that cannot be denied.

‘Shrink’, is a full throttle joyride that puts The Strokes and Miles Kane in their back pocket. As the protagonist’s life tumbles into disarray, the death defying guitars breathe adrenaline and euphoria back into the soul.

‘Casual’ and ‘Let Go’ may not land in the same way but, they frame the discourse with magnitude it deserves.

No one knows when gigs will return but, we know where we’re going first.

*Image courtesy of Sam J. Lance

Miles Kane: Electric Ballroom, London

Dressed resplendently as Kevin Rowlands, Liverpool outrider Miles Kane strode onto the Electric Ballroom, reminding everyone the difference between mortal an immortal.

The joyous funk of ‘Coup De Grace’ brought The Smiths classic ‘Barbarism Begins at Home’ to life until Kane’s anarchic vocals took it to away to something more visceral. The venom remained high on the classic ‘Inhaler’ and ‘Come Closer’. He is unstoppable in this mood!

It is however, on the poppier moments where his ability to hold a crowd in the palm of his hand truly shine. With help from Jamie T, he takes the Camden crowd on a roller coaster of emotions on ‘Too Little Too Late’. On the acoustic version of ‘Killing The Joke’ and slow building ‘Colour of the Trap’, he united the crowd in an almost hymnal singalong.

Everything came together on the soaring pop majesty of ‘Rearrange’. Kane’s ability to channel 60s pop past into something vibrant, sexy and violent was at its peak here.

With a huge support slot alongside Liam Gallagher imminent, the jury will be out on who is the best frontman of today!

Miles Kane - Loaded

Kane’s solo career, has never really ignited. He has delivered electric live shows but, continues to live under the unfortunate tag of ‘Alex Turner’s mate’. Will new effort ‘Loaded’ be the breakthrough?

The gentile opening verse is reminiscent of ‘Out of Control’ and ‘Fire in My Heart’ from his second LP ‘Don’t Forget Who You Are’. That 60’s tinge of Scott Walker and Burt Bacharach looms large and, this time, there is an almost Kiedis like vocal.

As ever with Kane, the richness of the sonic is high. This kind of 60's pastiche is so often overlooked but, this kind of warming melody combining with the warped guitar blast would be a refreshing shot in the arm for daytime radio.