Johnny Marr’s t-shirt on sale last night reads “Johnny Fucking Marr”. Say this is in whatever tone of voice and you have your review. He is just that good.
Part of it is the seemingly effortlessness of it all. The Townsend windmills, the Rodgers’ guitar licks, the glamour of Bolan or Jagger’s androgynous swagger, it all flows from Marr like it’s the most natural thing in the world. We mortals know better.
Effectively, this gig is a road test of his new album ‘Call The Comet’ and, as ever, it seems Marr has captured national mood. He has married the fire and desolation of the UK’s progressive thinkers with the teenage angst of The Smiths. This blend of despair, rage and hope is sure fire to increase his national treasure status.
Sometimes, with established artists, delving into the back catalogue leads to reworking of songs. So often this is met with negative responses. However, Marr’s interpretation of Electronic’s ‘Getting Away With It’ via a traditional band set up is remarkable. If anything, the ecstatic highs it was designed for in 1991 are surpassed in this format.
Marr is now heading for Scandinavia, it is not to be missed.
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