Fear PR

Cast – Faraway

Liverpool’s iconic Cast returned this month with their new single ‘Far Away’. The lead single from their upcoming album ‘Love Is The Call’ (released Feb 16th) was recorded at Space Mountain Studios with Youth (Shed Seven / Embrace) in Spain.

*Image and artwork are courtesy of Fear PR.

Pre-order ‘Love Is The Call’ here.

2017’s ‘Kick Up The Dust’ felt like a big moment for Cast. Frontman and songwriter John Power rediscovered his purity of songwriting on ‘Further Down The Road’ and ‘How Can We Lose’. Liam ‘Skin’ Tyson’s live magic began to filter through on the title track, but, crucially, Power and Tyson’s melodies began to touch hearts on ‘Baby Blue Eyes and ‘Paper Chains’.

What Cast tapped into seven years ago has been doubled down on ‘Faraway’. The melody is so instant you’d be forgiven for mistaking it for a lost B-side circa ‘Mother’s Nature Call’. Power’s has matured into a gravel-tinged angelic career best. It breeds harmony and a sense of peace throughout this exploration of a world that doesn’t care or listen anymore.

Power’s state of repose filters through into Skin’s playing. The freeness of his guitar glistens on horizons as far as the eye can see, but crucially, they infect the mind further.   The spirit of the West Coast, Shack, and Richard Hawley’s romanticism ooze through the guitars with a hazy, undeniable reassurance.

It may have been seven years, but that itch was worth waiting for! This Cast classic will demand the best from Liam Gallagher to top on tour this summer!

The Rifles – The Kids Won’t Stop

East London’s cult heroes The Rifles have returned with their first new single in seven years. ‘The Kids Won’t Stop’ was released on the 24th of November via Cooking Vinyl. It’s the first single from the upcoming album ‘Love Your Neighbour’ and is due for release on April 26th, 2024.

*image and artwork courtesy of Fear PR.

Pre-order ‘Love Your Neighbour’ here.

Despite the long absence of new material, the band has proved their worth creatively with the stunning Abbey Road acoustic album, and frontman Joel Stoker’s recent solo album (The Undertow) has also come in for high praise. Will the new single stack up?

Forty Seconds in and Grant Marsh’s archetypal drum rolls ignite the band's glory days. When The Rifles catch fire like this, few can match their emotive spirit. The band adopts a mature songwriting style, adopting aspects of the Madness classic ‘The Liberty of Norton Folgate’ in this reflective piece.

With a seven-year hiatus in the studio and continued success on the live circuit, The Rifles could be forgiven for being out of touch with the people on this new helping. Alas, Stoker’s lyrics easily tap into everyday life, portraying the hectic pace that ordinary folk must endure. Where ‘No Love Lost’ would have hit full throttle with this discourse, the band's twenty-year wisdom chimes, allowing space to reflect upon what’s important amid the chaos. It’s here the song's true beauty emerges. The “ba la la” and Luke Crowther’s brief solo serve as a reminder the simple things are the best, and must be grasped now youth is fading in the rearview mirror.

Marrying middle age with the riotous sonic fans have come to love could have been tricky. Perhaps it’s the reason for a seven-year break? Whatever the reason, The Rifles have navigated it with joy and contentment, which will keep fans happy and any leather-clad motorbike crisis at bay. As such, ‘Love Your Neighbour’ has become one of 2024’s most eagerly anticipated albums.  

Rolla – Hey You

Don't wait to be found
Come along with our sound

Image and artwork courtesy of Fear PR

Manchester’s Rolla follow up on their tour with Kasabian with their new single ‘Hey You’. The single is taken from their upcoming debut EP ‘Nothing Less Than Everything’ which will be released on April 5th.

It’s bizarre how a band so seminal as The Verve have remained so uninfluential these past 15 years. Exit Calm was a fine exponent of their work in the early part of the last decade but no one else has really stood up. Like buses, two have come at once in recent times from Manchester. There’s been Pastel, who have been beautifully in tune with delicate jams of ‘Storm In Heaven’. Whereas Rolla have pulled in the power of ‘A Northern Soul’ and the sprawling melody of ‘Urban Hymns’.

If Noel Gallagher had possessed Nick McCabe’s guitar ability then ‘Hey You’ could have been the sound of the Oasis’s third album. Luke McConnell and Tom Paddon’s guitars have that hissing power of Oasis’ live presence circa 95-97 but, with the deft touches of McCabe. The latter’s influence looms much larger creatively as the band takes you on a journey without a destination to free your soul. The yelps of ‘Rolling People’, the howling furore of ‘A New Decade’, and the perilous defiance of ‘Come On’ unite on what is, as close to pure art as rock ‘n’ roll can sound.

Frontman James Gilmore harness the more melodic moments of Tm Meighan’s time in Kasabian alongside a venom not yet seen. The demonic nature of Richard Ashcroft on ‘This IS Music’ and ‘No Knock On My Door’ ooze from his soul whilst his brother Luke’s bass throbs with the grooves of criminally underrated ‘Gravity grave’.

Rolla’s ascent to the top not only looks inevitable, it looks gloriously volatile. They throb with danger and excitement at every turn. They are reigniting the mysticism of the rock star and it’s intoxicating.

 Click here for the last remaining tickets for their UK tour:


The Skinner Brothers - Lonedon EP

Not resting on the laurels of ‘Soul Boy II’, London’s The Skinner Brothers have returned with their new EP ‘Lonedom’.

Images & artwork courtesy of Fear PR

here is our track-by-track review:

Lonedon

Frontman Zac Skinner’s vocals should be iconic by now. On this latest offing, he has the gruffness of beans on Toast, the insolence of Jamie T but, crucially it’s his soul-boy persona that shines brightest. Theirs an air of the 80s wide boy donning the finest Fila jacket sipping G&T’s surveying the chancers who know better to cross him.

Despite the coolness of the record, their anxiety permeates throughout as our protagonist struggles to belong in London. The big smoke is a vibrant joyous place full of choices if you can afford it. For anyone slipping financially, mentally, or emotionally, it can be a pressure cooker waiting to blow. The Skinner brothers take those infectious laid-back licks of The Astors and the chilled bombast of Eddie Floyd for a walk along desolation row. The solo that blasts out twice takes the band to another level altogether. The Coral’s ‘Magic and Medicine’ unites with Miles Kane’s dreams of rock star status to conjure a perfect blend of isolation and toxicity.

The Mellow

It may lack the 100 overdubs but, it embodies Ashcroft’s sense of freedom on ‘Urban Hymns’. Spikey lyrics, stoner melodies, and escapist guitars unite to create bugged-out rock ‘n’ roll for the 4am finishers.

Loaded Gun

Jamie T’s guttural glory combines with a Fatboy Slim–esque riff. This is gloriously unhinged debauchery set to unite groups of mates on both triumphant and failed nights out for a generation. It has a raw sense of adventure destined to be a catalyst for another wave of bands.

Make It Count

The effortlessness of Peter Bjorn & John and Foster The People flirting with the lo-fi magic of Ian Brown’s unfinished Monkey Business.