This Feeling

Lacuna Bloome - Plastic

Brighton four piece Lacuna Bloome release 'Plastic' on Thursday 19th September, the lead single from their upcoming EP recorded at Audiobeach Studios (Producer Forbes Coleman).

It's easy to be swept along by the majesty of their playing. However, on 'Plastic', they have delivered a stunning indictment of the times. With Blake and peak Ashcroft in their hearts, poetic summation and defiance oozes from their souls. The punk insight of Billy Bragg emanates from the line “What you see is out of plain sight / Drifting everywhere” but, frontman Niall sings, it's with Johnny Marr's heart.

Musically, Ride's pop tinged 'Future Love' collides with the thunder of Stone Roses' 'This Is The One'. The sun kissed psyche guitars loop to sail you away to hazy climates in the early stages before, blood sweat and tears of the closing stages bring you crashing to shore.

Those closing moments, they're more than bombastic rock n roll. As Niall wrenches “yes its changing”, something more than music is happening. This is a gut wrenching clarion call echoing the desperation of Ian Curtis on 'Closer'.

Hope has been sparse of late. Maybe, just maybe Lacuna Bloome are the catalyst for the change they passionately decree. Winter is coming but, it would appear this four piece are drawing their Jon Snow battle lines, get behind them and charge into the night!

*Image courtesy of @shotbybutch

The Crooks - Now Then

For many Oasis fans, including Noel Gallagher, they wish upon a parallel universe. One where 1997's 'Be Here Now' had undergone extreme quality control.

Well, that wish might just have been granted in the form Chesterfield's The Crooks. Cut them and they will bleed DMA's via the extravagance of Oasis circa 1996 to 1998 but, crucially, without the self-indulgence on their latest EP ‘Now Then’.

'Grey Man' has the lone wanderer feel of Noel's solo masterpiece 'Riverman'. Here though, he walks upright with youthful enthusiasm. The psychedelic guitars of Stee and Mods are the perfect platform for frontman Jacko to execute his Liam Gallagher via Thomas O’Dell (DMA’s) vocals. As Jacko decrees “bring me back to the wonderland”, music lovers over the age of 30 will have their youthful ambition restored whilst this generation runs amok to secure it for them.

The Oasis via DMA’s style continues throughout to wonderful effect. ‘All Isn’t As It Seems’ is a lyrical update of ‘Live Forever’ or The Enemy’s ‘Away From Here’. As the chorus of “I want to live my life away / I’m sick of doing it your way” images of huge festival crowds singing arm in arm come rushing to the fore. Meanwhile, on ‘Champagne & Caviar’, the parallel universe strikes. Oasis’ ‘It’s Getting Better Man’ is cut down to 3mins of scintillating solos and the hunger of ‘Definitely Maybe’.

When they do strike for the stadium rock sound on ‘Rocket’, it comes with the anguish that rock ‘n’ roll needs to truly matter. With a punk spirit in its veins, ‘Rocket’ is the sound of people trying to make ends meet and enjoy themselves. All the while, an Etonian racist and Pro-Privatisation of NHS dickheads battle it out to rule over us. The sheer guts and desperation of ‘Rocket’ can be all things to all people. It’s a clarion call to the jaded and a helping hand to those on the canvas. It’s uniting spirit is a reminder that rock n roll will never die.  

Despite the comparisons to DMA's and Oasis, this is not just a re-hash. The Crooks are very much one step backwards, 2 steps forward sonically. It’s the spirit they evoke on ‘Now Then’ that shines brightest. It’s as though they put Shane Meadows in charge of producing ‘Be Here Now’ to give it the brutal reality check it needed. The results, heady and pure rock n roll.

Friday 2nd August marks our 8th birthday. Come down to the New Cross Inn for a night of great live music. Tickets available here:

Cleargreen – People

Manchester’s Cleargreen are back with their new single ‘People’ today. Already a force in their home city, they have been stealing the show on This Feeling stages on the festival circuit too.

Previous single ‘Gone’, whilst freeing, probably had too many hallmarks of the DMA’s to be their breakthrough moment. On ‘People’, they’ve taken a monumental leap to establishing their identity.

It’s a conscientious examination of the public mind-set in 2019, shining a light on the contradictions of humanity. By proxy, it highlights the echo chamber mentality of both left and right and how, but with heart and amiable sincerity at its core. How apt on the day that Putin labelled Liberalism “obsolete”.

The LA’s-esque riff is given The Verve pop majesty circa Urban Hymns sheen. Equally beefy and emotive, Haworth and Staley’s guitars combine the aforementioned style with a Teenage Fanclub sense of adventure. Rock ‘n’ roll escapism is back, and with a chorus of “Going away where there is no tomorrow / Go to the place where I don’t feel hollow” it’s here to stay.

The colossus that is Liam Gallagher is rolling back into town at present and, we look forward to it. However, we urge everyone to pay attention to the new class. Cleargreen, Gazelle, Stanleys and The Raintree County have lit the touch paper for a new rebellion.

Friday 2nd August marks our 8th birthday. Come down to the New Cross Inn for a night of great live music. Tickets available here:

Gazelle – Guilt Trip Gun

Leicester’s Gazelle have been on a roll this year, playing with Sugarthief at This Feeling’s nights. ‘Guilt Trip Gun’ is their first release of the year and, that roll is picking up speed.

It has the hallmarks of Noel Gallagher’s classic song-writing style. Notions of melancholy and self-doubt are coupled with the bravery to jump off the edge and stick two fingers up to the world. It’s a beefy single, images of chests out and fists aloft as beers fly all around are immediate. However, cutting through the bravado is, an almost gentile solo from the John Squire’s ‘Sally Cinnamon’ and ‘Mersey Paradise’ era.

The evanescent flow will rekindle the birth of The Courteeners and The Rifles a decade ago. The hope and inspiration they offered before the financial crash was the soundtrack to so many teenage escapist dreams. Thank god, amid the endless tripe of Brexit, Gazelle have tapped in to that feeling.


Lacuna Bloome: Nambucca, London

Brighton's Lacuna Bloome are the perfect example of why the UK needs This Feeling. At This Feeling's 'Big In 2019', they were brilliant in flashes but by no means the finished article.

For some, that won't compel gig goers to Lacuna Bloome's next outing. However, we urge you to be a part of this journey. Anyone who witnessed an early Emily Capell or Trampolene gig will attest to the notion of a long rewarding journey.

Their were moments on 'Alright' and latest single 'Find Your Way' that guitarist Sam Leaver founder the paisley spirit of John Squire. The little flourishes of Roger McGinn's psyche and the free flowing nature of the Primals debut album had the Nambucca's crowd loosening those shoulders.

The ambition displayed on the closing two tracks brought a warm glow to an audience desperate to have more heroes migrate to bigger venues. It also allowed the bands personalities to shine through. Front man Niall, a steely introverted frontman is countered by the showman Leaver on guitars. Much like their idols, they have one of the most fluid drummers in the game in Noah Haines and, in Molly Walker, the coolest bass player since Mani.

Everything is coming together for this band, we urge you to be there sooner rather than later!

*Image courtesy of Alice Sutton

Sad Boys Club: Nambucca, London

Eighteen months ago, en route to see Sisteray in Camden, The Blinders emerged, covered in face paint and blew our world apart. This past Saturday, North London's Nambucca beckoned us to see the jangle psyche of the Lacuna Bloome. Enter stage right, Sad Boys Club.

It's notable how much of gang Sad Boys Club look. The singer a pop icon, the bass player inevitably throwing shapes and the rest looking great but, more importantly, have a steely look of defiance. Cross one of them and you will regret it!

The pop hooks across this set, are so good that, in a parallel universe, Madonna is stabbing her record label execs for not securing these songs for her! New single 'Silverlined', indebted to The Cure, is sure to soundtrack the new romantic story lines of Stranger Things and Glow. On 'American Spirit', they echo former Fierce Panda Label greats The Crookes as they turn emotion amps up to eleven.

So, when the inevitable lazy journalists of the broadsheets announce “there's no more guitar bands” or wail about how “pop used to matter”, throw Sad Boys Club in their face. Thoughtful, credible pop music didn't begin with The Smiths and die in the mid-nineties. It lives and breathes in great risk taking bands like Sad Boys Club.

*Image courtesy of Jon Mo Photography / TW: @jonmophoto /

GETRZ: Nambucca, London

Swindon's Getrz kicked off This Feeling's epic 'Big In 2019' in Nambucca in style. Clearly inspired by 2018's conquering The Blinders, Getrz are intent ramping up the intensity this year.

We all crave iconic front men and women but, Getzr lack of ego was striking. In a set packed with punk rock anthems, they adopt the spirit of Primal Scream in order to deliver the best song. Whether its the more emotive 'Diazefam' or the destruction of 'P.S.A', Getrz come one and come strong.

This was a solid punk set, it's one you'd go see again. However, on 'What He Said', it became a set you'd yearn to see again. The punk became more grandiose and the devilish wobble on the guitars was sublime.

Be sure to check them out on their February tour:

*Image courtesy of Jon Mo Photography

Trampolene – The One Who Loves You

Although The Libertines career is not yet done, when you look back, the one thing that halted them from mega stardom was that one single, a ‘Wonderwall’ or ’If You Tolerate This…’ . The type the of hit that X Factor zombies couldn’t deny. Welsh underdogs Trampolene, whose soul is inextricably linked to The Libertines, have returned with that single, ‘The One Who Loves You’.

Is there a purer soul walking this divided kingdom of ours than Jack Jones at present? If this were the late 18th and early 19th century, Jones would be lauded as a romantic poet. In 2018, he is kicked into the margins and forced to scrap his way out of the gutter.

Scrap away he does and, on this unrequited love anthem, Jones has delivered a single that shouldn’t but inevitably will be ignored by day time radio, the break they truly deserve. Find me a teenage boy who wouldn’t cling to this song as they obsess over the girl they’re to shy to talk to, and we’ll drive them to therapy to work on their sociopathic tendencies.


Calva Louise - I Heard A Cry

With a support slot lined up for The Blinders tour and their debut album due out February next year, the London three piece have a =big 6months ahead. Kicking things of is their new single ‘I Heard A Cry’.

Wolf Alice’s Ellie Rowsell raising the bar for what alternative pop music can be, front woman Jess Allanic is right on her heels with this vocal. Where Rowsell is fuelled with angst, Allanic has a wryness to her approach but is no less impactful.

With the spirit of Sub Pop Records in their hearts, Calva Louise have ignited their quest for glory in style!

Model Society – Public Service

Model Society first emerged in 2011. Passion and promise were apparent and, like many before and since, their influences were on their sleeve but their own clarity was yet to be defined. They had Blur's wry social comment, Oasis' sense of ambition and Buzzcocks punk via pop delivery.

On the comeback single, premiered by the legendary John Kennedy on Radio X, Model Society have merged their heroes. Lyrically, Damon Albarn's observations have aligned Noel Gallagher's melody and retained the bite of Pete Shelly. For the most part, the sweeping rock n roll production intrinsic to Noel's career combines with a punk sentiment but, during the solo, the more expansive elements of punk (Television & Spear of Destiny) shine brightest.

This is not a single normally associated with a band yet to release their debut album. This is three albums in stuff. It's a huge cinematic piece which serves both as a clarion call and blissful liberation simultaneously.

Breed: Chinnerys, Southend

Dear aspiring bands, in-between gigs, do as Clacton's Breed do, get better! Back in April, Breed played London's Water Rats and oozed potential. Last night in Southend, it all came together.

They're playing has sky rocketed and, as a result taken them ot a menacing new level. The whiff of sex and violence looms large in every song and, in frontman Jake and guitarist Max star power is emerging. The pair have that Richey Edwards '4 Real' factor about them. Dangerous and brutal, they brew a frothing disorder as their stomping rock n roll pounds away.

By the time of set closer 'Get With It', the Chinnerys faithful all know one thing, these small crowds wont be thing for long. Their blend of wayward psyche and brutal rock n roll is too powerful for other bands to share the stage with them.

M O S E S - Cause You Got Me

After an explosion of promise in 2016 and 2017, the London four piece underwent some testing times. So often, when a band loses this early momentum they fade away. So, when the London four piece announced their new single ‘Cause You Got Me’, TT was anxious, would come back fighting?

From the first guitar lick, we don’t know why we worried. The opening use of a solitary guitar riff rattles and frays, building a tension that is due to cause an imminent explosion. Merging the intensity of Savages and the psyche of Bo Ningen, the band have found a formula to light up the live circuit once more.

Walking the line of intense realism and joyous escapism is arguably the toughest to walk. However, it feels like the rightful home for this band, long may they reign!

Pre-order the single here:

Sisteray -Algorithm Prison

The first time we saw Sisteray live, they had punk songs and they had rock n roll songs. They were good but, it felt a marrying of the two would lead to great things. This is what new single ‘Algorithm Prison’ does.

Lyrically, it snarls at the apathy that technology obsession breeds, especially in their home city of London where life is 24 hours if only you join in. Toss in Niall Rowan’s righteous Charlie Harper and Nicky Tesco vocals and you’re into banger territory.

Musically, it does being the merging of their punk instincts with a broader rock n roll escapism. The guitar riffs and solos, whilst angst ridden are deftly kissed with a sense of freedom. The juxtaposition of this style with a lyrical assault on the willingly downtrodden breed’s life into an indie/punk scene so often concerned with love stories.

Trampolene: Scala, London

Gigs, so often enjoyable but seldom do you see the likes of Doherty, Hawley or Ashcroft bare their souls. In Jack Jones, Trampolene have a front man who did just that at London’s Scala last week.

Jones is Pete Doherty and Nicky Wire rolled into one. The combination of intelligent punk rock and free spirited poetry on stage is as emotive as it is life affirming. When they play new single ‘Hard Times For Dreamers’, a chord was struck. The sense of coming together to fight back against injustice is almost visible in the room.

During ‘Alcohol Kiss’ and the Beatles inspired ‘Imagine Something Yesterday’, the band display their ability to be tight but expansive with their playing. A hopeful signifier that bigger stages will be graced in years to come.

For the first time this decade, a master of social comment has emerged in Jones. As he sings “it’s not who am I / It’s who I’m going to be / How longs this song / Been living in me”, it feels powerful and inclusive. Trampolene entice you in so much that, when Jones tears up on ‘Beautiful Pain’, a collective hug goes out to him.

Brace yourself festival season, this three piece are going to make a mockery of your headliners with their brilliance!

Image Source:

Breed: The Water Rats, London

“London. Who wants to get heavy?” decrees Breeds guitarist before swigging his mates beer and launching into a set of heavy hitting riffs.

As they tear through their set, you can see the spirit of so many great early 00s bands rising. The chaos of The Datsuns & D4, the punk of The Donnas, the playfulness Young Heart Attack combine with their natural BRMC stomp to deliver a rock music tour de force.

Former single 'Get With It', often threatens to spiral out of control with its dirty BRMC rock n roll pulsing through its veins. The combo of throbbing psyche and 70s garage music is perfection for Breeds image. They have a great old school blend of irreverence and wanting to shag everything in the room.

Get to Jimmy's early in Manchester (April 20th), they are not a support band to be missed.

Avalanche Party: Water Rats, London

When the music weekly magazines were at the peak, they uncovered 'scenes' in little pockets of the UK. In a disparate digital age, this seemed to have evaporated. However, what IDLES, Cabbage, Shame, The Blinders and now, Avalanche Party, are proving that they do, only on a more widespread level.

Avalanche Party, from Yorkshire, come from the garage rock end of the spectrum but, they undeniably belong to the 'punkadelic' movement taking over the UK. Leading them, the soon to be iconic Jordan Bell. He transcends music with his theatrics. Every hand movement and every foray into the crowd sends the message 'you will love and understand us'.

Through his antics and tight musicianship, they create a platform for the ferocious beat poetry to flourish. Expressive as this is, there is a litany of slogans roaring to the surface for fans to hang on to. 'You aint stopping a hero', 'revolutions high', and 'redefine your notion, of the best a man can be' form a holy trinity of moments this crowd want to rip from their intestines and wear as a badge of honor.

On 'Revolutions High', something truly special happens. They create a freeness to what is essentially a garage rock number. The passion and venom that emanates from them is tangible. It's now not enough to just play well, Avalanche Party have taken the familiar and forged a new path to fight against Daily Mail reading, Reece-Mogg appeasing wankers of this world.

The bar has been raised!

Image Source: Rhys Skinner

The Blinders - Brave New World

The desolate psychedelic outfit have come up with the goods once more on this punk via glam and psyche music stomper. Musically, its perhaps the most honed they have sounded to date, but fret not, all the danger has not evaporated.

This time, it’s staunchly in the lyrics as they venomously pull apart world and its leaders as it currently stands. The best references however, are unsurprisingly aimed at the Donald. The sarcasm is heavily laced in the chorus ‘oooohhhhhh to be / from the land of the free’ and the label ‘Idiot King’ is one which will stick around for a long time.

Happy 4th July. Fuck that, this is The Blinders and their coming to rip down dystopia as we know it!

Sisteray - 15 Minutes

After witnessing their cracking set at the Camden Assembly recently, TT decided to check out the London four piece's new EP 15 Minutes. Here is our track by track rundown:

Queen’s English

This twos and throws from rock n roll and punk to pretty good effect. It has enough swagger to reel in the Kasabian crowd but enough spikiness to alert the punk rockers.

There are times when the prose of Pete Doherty or Richard Hawley can be all that is needed to enrich the soul with their Blake-esque tales of Albion. Sometimes though, there is desperate need for youthful angst ridden social comment and ‘Queen’s English’ is most definitely that.

Kicking and screaming at everything the Tories have delivered in the past 7 years, Sisteray remind us of the class divide and how the other half expect us to live:

“Taught to live within our means / swap our dreams for repayment dreams”

The next ten years cannot be about Noel Gallagher again. They cannot be about Foals. It needs to be desperate, furious and all gut instinct once more.

Nostalgia Trip

Having defined who and where they come from, Sisteray lead on to who they are going to destroy. The past. The UK’s musical taste, on the fringes at least, has always been something to be proud of. The various scenes, labels and club nights springing up in pockets of Cities and suburbs has always been progressive. That is, until the past decade when the arse fell out of the industry.

The alternative scene has no TOTP’s outlet and the alternative scene is awash with middle class acts because the working classes have been priced out and ignored by the industry. The concept of building stars for the future seems lost, with the exception of John Kennedy, a few at BBC6 and This Feeling (the greatest club night and tv channel going).

Faaast Food

Musically, there is a slight disconnect between the great Coxon-esque riffs and the droll vocal delivery. Nevertheless, it’s another great swipe at the plastic 100mph lifestyle of the culturally vapid:

“Fame comes cheap / When you’re the scrap heap / Roaming round the jungle / To earn your keep”

Famous For Nothing

On Matt Forde’s Political Party podcast, Michael Portillo joked last year that if he remains on the BBC for another 5 years he is half way to becoming a national treasure. He’s right. Making quaint shows about trains has admonished his greedy Thatcherite voting record.

The same scenario has developed for the “stars” of Towie and Made In Chelsea. From our standpoint, a fart in a lift is never getting better with time. So, whilst some may say Sisteray’s rhetoric is old hat, we say it’s more needed than ever. The attack on their fake tan emptiness draws a line in the sand and demands everyone to pick their sides.

White Knuckle Joyride

All the angst and hatred of modern society fades away as this free flowing rock n roll number gives life to a more hedonistic realm.

The ending is nothing short of mesmerising. It has the escapist stadium friendliness of Oasis’ ‘Slide Away’, the cascading frenzy of BRMC’s ‘Whatever Happened To My Rock n Roll’ and all the joy of Charlatan’s all encompassing ‘Sproyston Green’.



The Blinders - Camden Assembly, London

The Blinders took to the stage last Friday at the Camden and then, then everything changed.

In three minutes of ICB Blues The Blinders have rendered The Wytches obsolete and made The Horrors classic 'Primary Colours' a footnote. Cabbage might be the frontrunners in the punkadelic scene right now but, make no mistake, The Blinders are its heroes in waiting.

From start to finish, this was more than a gig. It was a piece of art, it was pure drama and exciting as fuck. Frontman Thomas shuffles on stage as if the idea just occurred to him decked out in a John Motson fur coat and black face paint, everything about him screams your new hero. Meanwhile, bass player Charlie, parades around like the offspring of Nick Drake arching his bass at the crowd like Wilko Johnson. This is a band with style and substance.

There is a sense of theatre and poetical beauty despite the mayhem, especially on ‘Swine’. As Thomas decrees ‘I need not to be the man on the street’, a sold out crowd looks on wondering how he has ever been one of us. He is a god.

For 40 minutes tonight, it wasn't about hope or potential, it was about the present. That longing for something heroes to set alternative music lovers is over. Punkadelia has landed in the form of a vomiting, gut wrenching visceral juggernaut from Doncaster.

Sisteray - Camden Assembly, London

Sisteray have been making a lot of good noises with their newly released EP 15minutes and opened a memorable night the Camden Assembly.

The fast and furious ‘Who R Ya?’ opens with it’s Strokes-esque guitars meets the Buzzcocks . It encapsulates everything to love about Sisteray. Every time you have them pegged as a kick ass punk band, guitarist Dan Connolly fires a Pete Townsend via BRMC slice of swirling mayhem.

Social comment is tough get across to live audiences when you’re the second support band. However, with the election looming and frontman Niall Rowan’s charismatic aggression, the Camden crowd are braying for Tory and reality TV blood by the end of this set.

The most poignant moment of the set emerges on ‘Nostalgia Trip’. The QOTSA riot attacks the endless stream of bygone acts hogging the limelight and delivers the line ‘'it's a nostalgia trip I can't afford the ticket', a message not lost on the gig lovers present.

This is a good set with great moments, such as ‘A Wise Man Said’, a furious homage to The Libertines’ ‘Delaney’ or, halcyon rock n roll of ‘White Knuckle Joyride’. Nevertheless, Sisteray seem to have merely scratched the surface of meshing punk, rock n roll and lyrical sniping. This is a journey you must be part of!