Ocean Colour Scene

Andrew Cushin - You Don’t Belong

Not content with recording with Noel Gallagher, Geordie sensation Andrew Cushin has been opening for him on some massive outdoor gigs this summer. Cushin has released his debut EP ‘You Don’t Belong’ to mark the celebration. Written but Cushin, it was produced by Jason Stafford and recorded The Libertines’ iconic Albion Rooms studio in Margate.

To date, Cushin has released a litany of melancholic tales blessed with Gallagher’s key change joy and soulful lyrics. ‘You Don’t Belong’ for the most part, buries his past and departs on a bombastic carnival ride.

The title track and ‘Yeah Yeah Yeah’ fly out of the traps. The former peacocking across the stage with a glam stomp to get awaken the senses. The absence of a killer solo lets down the guitar hook, Cushin vocals, and its energy. An absence that is remedied on ‘Yeah Yeah Yeah’. The pop-mod immediacy of Ocean Colour Scene’s ‘Goodbye Old Town’ is met with a joyous solo that sounds like Stephen Stills joined ELO.

Stills’ penchant for debauchery and infectious rapture is rolled out to full effect on the Noel Gallagher-inspired ‘Catch Me If You Can’. Cushin spectacularly finds a way of pulling in the dynamism of ‘Keep on Reaching’ and the wonder of ‘Revolution Song’ into the hedonism of Stills’ guitars.

Cushin returns to his archetypal sound on ‘Runaway’. A track was written on the fly in homage to Gallagher’s ‘Supersonic’. Cushin paints tortured souls like no other and, as the exceptional stargazing production soars, his soul falls into the gutter:

“You drink yourself to death / just like you always do / like the wind used to”

Although it leaves you hollow and despairing, the heart will remain full for this is a young man reminding us all that a working-class hero is still something to be!

*Image courtesy of Sonic PR

Ocean Colour Scene: Dreamland, Margate

Saturday 24th July, the first gig back, should have begun with uncontrollable excitement. It didn’t. Is this safe? Should we be here? Trust in science was the only thing the brain could summon to urge me to go.  

Strolling into Dreamland, the knots in the stomach remained. Despite a few surging to the front for Black Grape, a clear sense of trepidation prevailed.

And then.

The rush of ‘Riverboat Song’s intro surged through the veins like never before. The psychedelic blues were greeted with an overspill of love. Eighteen months of pain ebbed away into Albion’s ether as Simon’s flawless vocals echoed across the coastline and Steve’s guitars shimmered upon the sunset!

The joyous “if I walk, if I walk, if I walk” reminds everyone of what they’d missed. The collective love of a crowd joining forces with artists. A chance to belong, to hug a stranger in sheer delight once again!

‘Second Hand Car’ and ‘Get Blown Away’, at any time, can plunge the emotions to despairing depths. After everything, you could have heard a pin drop and during Craddock’s mesmerising solo on the former. ‘Get Blown Away’, sent shudders through anyone with pain lingering in their hearts. All that might have been flashed before the eyes and loss swelled in the hearts. For four minutes, tears touched checks, fists punched the air, and lyrics were sung with death-defying defiance. The human spirit alongside British rock ‘n’ roll is a fucking a triumph!

OCS, with no ego and beautiful humility, guided us back to a feeling of hope. What started out with uncertainty ended up being an adventure of our own!