Stanleys

Stanleys - Measured In Gold

Wigan’s Stanleys release their second single ‘Measures in Gold’ on the 18th March. The success of ‘A Better Life’ (full review here) brought them a huge support slot with fellow Wigan outfit The Lathums. How far can this single take them?

‘Measured In Gold’ is both a damming indictment of the times and, crucially, an aspirational tale of the future. Lyrically, they attack the continued big business choice of greed over people. The sense of struggle most of us feel is palpable, yet, through the lush harmonies and shimmering guitars, hope for change remains strong.

Musically, they continue to melt hearts and enlighten souls. They have freeing depth to their playing, similar to the recent Edwyn Collins records but more vital.

Bands who profess ‘love is all you need’ are ten a penny these days. Few can back up the sentiment with a decent melody. Stanleys can. There is cinematic quality to their gritty indie anthems that is simply undeniable.

Despite the message, ‘Measured In Gold’ is, above all else, a melodic runaway train. The poet vs the philosopher has been an artistic debate as old as time. Who carries more weight? The answers, for music, are subjective (mostly). What Stanleys have proven on ‘Martyr’, ‘A Better Life’ and now ‘Measured In Gold’, is, there is a third way. A straddling of the two camps can be found. Food for thought for anyone seeking political change.


Cleargreen – People

Manchester’s Cleargreen are back with their new single ‘People’ today. Already a force in their home city, they have been stealing the show on This Feeling stages on the festival circuit too.

Previous single ‘Gone’, whilst freeing, probably had too many hallmarks of the DMA’s to be their breakthrough moment. On ‘People’, they’ve taken a monumental leap to establish their identity.

It’s a conscientious examination of the public mindset in 2019, shining a light on the contradictions of humanity. By proxy, it highlights the echo chamber mentality of both left and right and how, but with heart and amiable sincerity at its core. How apt on the day that Putin labelled Liberalism “obsolete”.

The LA’s-esque riff is given The Verve pop majesty circa Urban Hymns sheen. Equally beefy and emotive, Haworth and Staley’s guitars combine the aforementioned style with a Teenage Fanclub sense of adventure. Rock ‘n’ roll escapism is back, and with a chorus of “Going away where there is no tomorrow / Go to the place where I don’t feel hollow” it’s here to stay.

The colossus that is Liam Gallagher is rolling back into town at present and, we look forward to it. However, we urge everyone to pay attention to the new class. Cleargreen, Gazelle, Stanleys, and The Raintree County have lit the touchpaper for a new rebellion.

Friday 2nd August marks our 8th birthday. Come down to the New Cross Inn for a night of great live music. Tickets available here:

Stanleys - The Martyr

Stanleys are a Wigan four piece consisting of Tom Concannon (Vocals), Jake Dorsman (Guitar), Harry Ivory (Bass), and Rob Hilton (Drums). They released their debut EP ‘The Sound of the Stanleys’ last year and have returned with new single ‘The Martyr’.

It’s the kind of free flowing escape from a home town that can only come from youth. Vibrant and aimlessly meandering as it longs for something to drag them away from their surroundings. Lyrically, they've struck gold. This is a classic Western movie isolation and fear being diminished by a wandering hero.

It's the chorus which really lifts their lyrical prowess to the next level though:

“Beat and broken, made to work all day / dreams are forbidden, hopes are cast away as reachless”

The western imagery is given a distinct modern day British feel. Images of Clint Eastwood fade into the brave Wetherspoons staff protesting against the repugnant Timothy Randall Martin. Stick your poverty wages up your mullet you tosser!

'The Martyr' is what true outsiderdom sounds like, not millionaires preaching their salt of the earth. This single is heartfelt, riotous, and escapist. Music lacks the power of film to make prequels but, if it did, this would surely be the early years of Richard Hawley roving the streets of Sheffield.

Forget the right wing millionaires who preach outsiderdom, this is what it sounds like. Heartfelt, alone, longing to belong to something worth loving. Sadly, music cant make prequels like film. If it could, this would surely be Richard Hawley’s teenage years wandering the streets of Sheffield.