Blab – Eton Mess

After stealing the show at Get Cape Wear Cape Fly’s Half Moon weekender, Southend’s Blab has been busy writing punk anthems for a new generation in ‘Casual Sex’ and ‘R.I.P’.  She is back once more with the new single ‘Eton Mess’ via Asylums Cool Thing Records.

Featuring the aforementioned mentor Get Cape as producer (and backing vocals), Blab has stepped up the vitriol as she laments the Tories. Sure, whatever, everyone does it, right? Not this well though!

The guitars fire out nastier and dirtier than The Libertines’ ‘Vertigo’ alongside the brutal infectious hooks of The Buzzcocks and Stiff Little Fingers. Like Pete and Carl’s writing style, there’s a lot of heart to the song. However, these are not the heady days of ‘Up The Bracket’. Racism, homophobia, and fatal incompetence are brushed aside as jokes or, if dare questioned, are ridiculed for not being patriotic enough. Blab expertly taps into the rage that far too few of us wake with every day about this government.

With disdain in her heart and a guitar on her shoulder, punk has been reawakened, reimagined and, put her in a class of her own mt lord!

*Image courtesy of Cool Thing Records.

Get Cape Wear Cape Fly! - The Unconventionals

After the triumphant return of Sam Duckwork’s moniker Get Cape Wear Cape Fly in 2018, the Southend troubadour is back with a one off single. ‘The Unconventionals’, written, recorded and put out in 24 hours is out now!

Musically, it has all the hallmarks of Get Cape's introspective pop music. The hope and critique of Billy Bragg is once more prevalent. However, sonically, this feels like a leap off moment for Duckworth. Whereas 2018 was reinvention of the hopeful Get Cape sound relevant to 2018, ‘The Unconventionals’ treads pastures[AM1]  new.

This is a single, lyrically embedded in the political mess of today. However, Duckworth’s guitars are less hopeful indie kid and more Wilco via New Orleans ray of sunshine. It’s a seed of proof that there is a way forward, the dross of Brexit will not be forever.

Get Cape Wear Cape Fly! Chinnerys, Southend

“What’s a battle cry / If it falls on death ears”

A telling lyric from Westcliff’s Get Cape Wear Cape Fly. Especially, 12 years into his career with new material aplenty. Launching your career with a cult classic (‘Chronicles of a Bohemian Teenager’) can often have a damming effect. Just ask The Enemy and Glasvegas. Despite this, head honcho Sam Duckworth returned this year with ‘Young Adult’ and, this past Saturday, he brought it to his hometown venue Chinnerys.

Now backed with an 8 piece band (all outrageously handsome btw!), Get Cape sounds better than ever. This is particularly true of new material such as ‘Adults’, ‘Animate’ and ‘VHS Forever’. The youthful exuberance that bred so much hope and escapism in 2006 is still there, but now, the musicianship is on another level. These feel like staple set numbers of a decade!

This is further striking on ‘DNA’ and fan favourite ‘Lighthouse Keeper’. The latter, a great song about life in Southend, always breeds huge devotion from the Essex crowd. However, ‘DNA’, surpasses it with its older, wiser and reflective stance. Get Cape’s vocal is oozes into shore like the waves just a few hundred yards away with an elegant ease to marvel at.

Quite simply, this is the best version of Get Cape that’s ever materialised, go and watch for yourselves!

Get Cape Wear Cape Fly - Young Adult

Four years ago, Get Cape bid an emotional farewell to the moniker at the Forum. It was a celebration of all that was great about teenage escapism. The intervening years saw three albums released, two under his own name Sam Duckworth, and the other, ‘Baby Boomers 2’, a classic released under the name Recreations.

So, why the return? Why now? In short, Duckworth left London and returned to his native Southend. Sonically and lyrically, this album feels like Duckworth has come full circle from his debut ‘The Chronicles of Bohemian Teenager’ but, with sterner sense of wisdom only your thirties can bring.

Album opener ‘Adults’, closes with the spritely guitars and euphoric brass of the debut but lyrically, it’s a far more complex. Duckworth, wiser, can see through the political discourse around him but, like so many, is alienated by it all simultaneously. Amidst the confusion though, hope remains which is the true essence of Get Cape right?

The return to Essex takes a stark turn on ‘Man2Man’. A county where Thatcherism still reigns, this song details the cynicism and hypocrisy of the viewpoint. So often, social comment comes in the form of punk rock polemic. Here though, it’s within great melody, angelic backing vocals and a soaring urgency.

The Get Cape journey home isn’t always so clear-cut. ‘Always’ treads murkier paths of personal cataclysm. Meanwhile, ‘Scrapbook’ questions whether the teenage dreams have faded or the lack of freedom as an adulthood has taken its toll. Even in the darker moments, there is a sense of solidarity which breeds light and courage to up off the canvas.

‘Adults’ is not free flowing rock n roll music so, phrases like return of the King are unlikely to come Duckworth’s way. It is hard to view it in any other way. It’s a clarion call to all who have been forced out of city centres the world over that great art can come from anywhere.

It also highlights a remarkable clarity in song writing. There isn’t a track here which, if you took away the vocals, wouldn’t leave you thinking its anything other than a Get Cape song. The acoustic guitars, warming brass and intricate electronic production have and continue to serve him well. Make no mistakes though, this is no nostalgia trip.