Sleeper: Chinnerys, Southend

90s icons Sleeper took to Chnnerys in Southend last Friday to play for Indie Cult Club.

Since their return in 2017, Sleeper have been gracing big stages and Festival headline slots. So it was a rare treat for the 600 who crammed into the seaside venue on a balmy summer’s evening.

*image credit: Oscr Visuals

And what a treat it was!

2019’s comeback album, ‘The Modern Age’, as credible a comeback as any from the Britpop contingent, featured thrice in the set. ‘Look At You Now’ cuts through the mid-90s singles with Louise Wener’s elegant performance and Jon Stewart’s warped homage to the Pixies on guitar.  ‘The Sun Also Rises’, crisp and aloof, worked the room like an IT girl, knowing everyone's secrets. Meanwhile, ‘Cellophane’s hooks hit like a hammer while Wener served up a boisterous vocal to unite a rapturous crowd.

Elsewhere, the set is littered with classics that lit up the UK from ’94 to ’97. ‘Statuesque’ shone brightest as the Southend faithful bounced in unison, defying their years. Stewart’s playing was muscular and aggressive, allowing Wener to parade the stage and perform the song instead. ‘Delicious’ sounded as cute and vibrant as ever, and ‘Sale of the Century’ blitzed its way through the sweat-filled room with the freedom of a teenager coming of age.

This summer may be about other 90s bands, but Sleeper proved their tales of sex, drugs, and rock ‘n’ roll will live forever with the same potency.

Inspiral Carpets: Chinnerys, Southend

Manchester icons Inspiral Carpets played Southend’s iconic seafront venue Chinnerys last week to a sold-out Indie Cult Club crowd. Last time in Southend, the Inspirals were supporting the Happy Mondays at Cliffs Pavillion. They stole the show that night, this time out, they were after souls.

Image Credits: Gas & Shutter. Courtesy of Indie Cult Club

‘Two Worlds Collide’ gave the set a euphoric crowning glory, the kind that people will talk about for years to come. With every passing year, it carries more weight and emotional heft. Lost lives, lovers, and chances of redemption flood the senses as Stephen Holt’s divine soul vocal causes eyes to close and hearts to open. Pin. Drop. Moment!

The poignancy continued to flow from the band on ‘Beast Inside.’ As Holt decreed, “guess a man is no man / If he doesn’t have the beast inside,” the band and crowd united in a powerful moment of self-reflection.

When they stepped on the power, punk’s riotous energy coursed through them. A thunderous rendition of ‘Joe’ bordered on insanity as chaotic drums and Boons iconic organ riff locked horns. ‘I Want You’ was at it’s destructive best, flailing into the ether like a lost soul with nothing to lose. Devastatingly good.

Three decades after their debut, the Inspirals have found a vein of form that hit dangerous levels of intoxication at Chinnerys. Mooooooooooooooooooooo.

All The Young: Chinnerys, Southend

Stoke’s All The Young made their second appearance at Southend’s Indie Cult Club this past week, supporting My Life Story at Chinnerys.

Their unexpected return in 2022 threw up questions from fans. Where had they been? Why are they not massive? When they released the long-awaited second album ‘Tales of Grandeur’, it was as though they’d never been away. Back came the euphoric anthems. Back came hope!

With the heavyweight power of ‘The Horizon’ making Chinnerys feel like Wembley Stadium, that hope was not misplaced. The stomping glory of ‘Another Miracle’ put Ryan Dooley back a pedestal with the greats as his vocal yelps with emotion and digs in with rock ‘n’ roll’s defiance.

New single ‘Demons’ cut through their archetypal hedonism with DMA’s pop sensibilities and the kind of masculine self-reflection the world has been craving in the wake of Jack Throne and Stephen Graham’s masterpiece ‘Adolescence’. Few can say they wrote a good single thirteen years into their careers, ATY can boast a great one and Southend knew it.

On ‘The First Time’, if anyone was in doubt, ATY reminded Southend they have the perfect live anthem in their repertoire. Guttural emotion and explosive guitars washed over the room to set souls free.

All The Young complete their tour tonight at the iconic Sugarmill in Stoke. Roll on the next one!

Trip Hazard: Chinnerys, Southend

Southend’s Trip Hazard recently opened for Desperate Journalist at Chinnerys as part of the Indie Cult Club and we were there to check them out.

*banner image courtesy of Oscr Visuals

Image courtesy of Oscr Visuals

On set opener ‘Nasty Party’, frontwoman Lottey set the stage ablaze with her compelling punk rock volatility. Her iconic indie sleaze hair thrashed with abandon to Sam’s heavy-hitting guitars. If they can harness this power in the studio more, then the next voices of a generation will be born.

Lottey continued her masterful performance on ‘Body’ and its reprise. The struts, the pivots, and the knowing looks to band members were nothing short of mesmerising. To have a crowd in the palm of your hand when the songs are not quite there is truly astonishing.

Whilst their cannon currently lacks the hooks and anthems to catapult them further, it’s surely only a matter of time. On ‘Yellow’ and ‘High Horse’, the seeds of great songwriting are beginning to take root. Both brought the temperature down and gave the band space to breathe bringing the power of Black Honey and The Big Moon into play.

Trip Hazard set a standard at the Indie Cult Club that’s making their next moves unmissable.

Desperate Journalist: Chinnerys, Southend

London’s Desperate Journalist kicked off their UK tour at Southend’s Chinnerys last week. Playing for Indie Cult Club, it marked the run-up to their fifth album, ‘No Hero,’ which is out on September 27th via Fierce Panda Records.

*image courtesy of Indie Cult Club

Five tracks from No Hero feature in the set, with latest single ‘You Say You’re Lonely’ and ‘Unsympathetic Parts 1 & 2’ shining brightest. The former was nothing short of a pin-drop moment. The pain and anguish oozing through front woman Jo Bevan’s vocal was intoxicating at times, but she cut through it with the aid of the sumptuous keys, and her vocal uplifts that were worthy of pop music royalty. It’s so easy to see why Brett Anderson loves this band; it’s less so to understand why they’re not national treasures. On ‘Unsympathetic Parts 1 & 2’, bassist Simon Drowner’ bass playing is hitting its peak on the latter. Flitting between hopeful and crushing, pulling the intimate Southend faithful from dark to light whilst guitarist Rob Harvey sprinkled cinematic shimmering guitars to build an aching atmosphere.

Over the past three studio albums, the band has become a masterclass of emotional depth and gothic textures. But when they launch into the free-flowing "Why Are You So Boring?" Two songs in, they remind everyone that every so often, pop majesty lies beneath the blackened eyeliner.

It’s not all emotion-fraying Johnny Marr licks and Cocteau Twins moonlit eloquence. The mid-point is set ablaze by the poignant rollercoaster of ‘Cedars’. When they let their melodic instincts loose, Bevan goes from cult hero to rock icon. Her vocal wrapping around Harvey’s ecstatic guitars proves that band chemistry is still worth dying for. In set closer ‘Satellite’, they have a behemoth record of sending any crowd home with their jaw dragging the streets in awe.

Their backward, misspent youth gave the intimate Southend crowd something to cling to with teenage obsessive levels of devotion. Some bands entertain, but some can impart a devotion, a connection, that makes you howl their brilliance into the night in the hope that everyone will listen. Desperate Journalist are that band.  

Echobelly: Chinnerys, Southend

Britpop icons Echobelly have been on the road recently, and we were there to see them at Chinnerys in Southend. Supported by Keeley, they were playing as part of the burgeoning Indie Cult Club.

*all images courtesy of Harvey Oscar Brown (@oscrvisual)

For bands like Echobelly, it can be tricky to negate the past. Southend was no different, with endless chatter for small pockets of the room. What those people forgot about the past, though, is Sonya Madan is a badass frontwoman who takes no prisoners. Her beguiling stage presence and telling said people “to shut the fuck up” was met in equal gratitude from the loving faithful.

Madan, at times, is utterly mesmeric. Arms aloft, gliding slowly across the room to ‘If The Dogs Don’t Get You, My Sisters Will’ as Glen Johnsson’s guitars trip with a thick psychedelic fog. There is something beautifully theatrical about their partnership. Madan’s vocal is devilish, enticing you into Johnsson’s spell, which can’t be undone.

This dynamic blossomed further on ‘Scream’ and set closer ‘Dark Therapy’, the former providing a real pin-drop moment. The pain and anguish oozing from the howling guitars was palpable. ‘Dark Therapy’s all these years on, still has the same emotive hypnotic power. The sliding guitars and Madan’s reflective and empowering vocals rise and tumble with breathtaking magnificence.

Although the set mainly contained the protracted art of their canon, in ‘In Great Things’ and ‘King of the Kerb’, they have two of the bona fide great singles of the 90s. Instinctive, sexy, and of their time, they transport you to a time when the art-rock scene of 1994 was blossoming in Camden. Images of debauchery at Blow Up club nights and record deals being signed in the Good Mixer rush to the forefront of elder minds becoming carefree once again.

Thirty years on since their debut album, Echobelly show no signs of slowing down creatively. Long may they reign.

Dirty Blonde: Chinnerys, Southend

Last Friday, Manchester’s Dirty Blonde opened up for 00s icons The Subways at Chinnerys in Southend as part of the Indie Cult Club.

Images courtesy of Gas & Shutter and Indie Cult Club

Former single ‘Come Over’, an opener that could set fire to any setlist, emerged from the gutter dripping in sex, drugs, and rock 'n roll. Filthy basslines and snarling licks swelled with devilish temptation. 

A rock anthem with a three-act structure is hard to find, but they delivered just that on ‘Don’t Cry’. Allis McKay, delivering a rare angelic vocal, sowed the seeds of romantic betrayal and a vulnerability in the protagonist you immediately root for:

“Celebrating with a bottle of Tequila
Too busy dancing to have the chance to miss you
Oh no are you sad? Well read the signs”

McKay’s vocals were deliciously sniping and sardonic as she laid waste to the ex. The melodic euphoria coursing through the cringing bleakness of the lyric “I got a missed call from your ex” was a moment of juxtaposition to saviour. When Dirty Blond hits bigger stages, one young person from Manchester will be cowing at their parents, eating their mummy’s sausage and beans for comfort..

Then, in the closing stages, the solo fires out with Noel Gallagher’s early sense of freedom and Slash’s showmanship to give the protagonist ultimate closure.

Dirty Blonde's dramatic storytelling was enough to captivate the packed Southend crowd, but they didn't stop there. They closed their set with ‘Run’, a monstrous guitar record that blended Royal Blood's intensity with BRMC's leather-clad rebellion.

What Wolf Alice started in 2015, Dirty Blonde are destined to end with a thunderous jolt to the guitar scene!

The Utopiates: Chinnerys, Southend

Last Week, 2023’s all-conquering heroes, The Utopiates, made their debut live appearance In Southend at Chinnerys as part of the burgeoning Indie Cult Club.

*banner image courtesy of Indie Cult Club

Josh Redding made a name for himself in 2023, and his surge towards the guitar icon shows no sign of slowing down. His protracted intro to the set opener ‘Seekers’ is divine. The spiralling licks floated into view, indicating that something special was coming. The dreamlike state of ‘Seekers’ glides into carnival grooves of ‘Devolution’, which dissipates for the intense dystopia of ‘Only Human’. An opening trio that, on paper, should jar but, in their hands, is seamless.

Most bands in their position would still be riding the crest of last year's wave. The Utopiates are already one new single into the journey towards album number (due later this year). ‘Love Pill’ marked a real stride forward creatively in the studio. Live, they harnessed its love of Ibiza and Chicago to make it into a starring role in the set, which is some going when the instant classic ‘Best and Worst Days’ present. Frontman Dan Popplewell’s vocal in the closing stages of ‘Love Pill’ transcends into a hymnal state, nourishing all that stands before him.

Image courtesy of Indie Cult Club

Frontman Popplewell continues to shine with his more aggressive take on ‘Making History’. His venomous delivery of the Oasis-tinged lyrics, “One day you’ll see, yeah they’ll look at me, I’m not up here making tunes, I’m making history!” gave the Black Grape-esque anthem the swagger and bitterness it merits.

Another glimpse of album number two came via the debut airing of ‘Insomnia’. On this showing, it is shaping up to be another album of the year contender.

The Skinner Brothers: Chinnerys, Southend

Back in June, The Skinner Brothers opened for The Music’s all-dayer comeback at Temple Newsum in Leeds. Much like The Coral did in 2002 at Finsbury Park, they announced themselves to many as pretenders to the throne. They blew the Snuts off stage and edged The Coral and The Cribs off too. Nothing that day was stopping The Music from being triumphant though.

Fast forward to this past Thursday and they were headlining Chinnerys in Southend. With home county support from The Lucettas and hometown support from San Quentin, you’d have been forgiven for thinking the same could have happened to them.

Not a chance!

In support of their latest EP ‘Lonedom’, they played the title track and ‘Mellow’. ‘Lonedom’, ironically ignores its message and unites a crowd in a sweat-ridden singalong. Meanwhile, the guitar hooks of ‘Mellow’ resound out like Carl Barat playing lead for the Arctic Monkeys

The acclaimed ‘Soul Boy II’ album makes up the bulk of the set. ‘Culture Non-Stop’ and ‘Iconic’ see Zachary Skinner’s laconic drawl drift through the seaside air to remind everyone who the mortal ones are. Whereas on record, the band often gets into a soulful groove, here, they are harder and faster. It takes their soulful sound towards The Reytons but with far more depth.

In 2002, The Libertines launched their good ship Albion. Not many fellow bands got it. The Skinner brothers did. Their rapport, free beers, and demanding people on their shoulders (and fuck the consequences) brought rock ‘n’ roll closer to the punters for the first time in a long time.

The Wedding Present : Chinnerys, Southend

Ten years on from their last visit, Leeds’ iconic Wedding Present returned to Chinnerys in Southend. The intention: to play their indie opus ‘Seamonsters’ in full.

A curious album to take on the road; where ‘George Best’ and ‘Bizarro’ lend themselves to youthful exuberance and righteous angst,’ Seamonsters’ turned to the introspection of the 30s with mere flashes of the rage that had carried them thus far in 1991.

It’s within that spirit that the audience largely gazed. On ‘Blonde’, Sarah’s Records and Nirvana’s pop-tinged grunge enters the affray; but it is Gedge’s forlorn protagonist that the audience has come to rejoice in. No matter how old and settled we become as an audience, Gedge has the ability to transport an audience back to their naive unrequited love days. Meanwhile, the gentle psychedelia of ‘Rotterdam’ in tandem with Gedge’s ability to wrap his unique voice around melody was truly life-affirming.

There are moments (with 30 years’ hindsight, of course) where their performance sheds light on how music travelled in the direction it did back then. Opener ‘Dalliance’ walks proud with Wedding Present identity, but raises a glass to early Andy Bell guitar licks and in the closing stages, Swervedriver’s future roar lurks on the horizon. ‘Dare’ also takes from their archetypal ‘Bizzarro’ sound to the precipice of grunge and shoegaze. It may at the time have been seen as a departure from what made people fall in love with them. But in 2022, it sounds like a band that knew which way the wind was blowing and had the creative nous to propel their vision beyond their humble start.

They do, of course, dip in and out of those modest beginnings with ‘My Favourite Dress’ sounding as vital as ever and ‘Everyone Thinks He Looks Daft’ remaining one of the most fun anthems ever written. 

Whilst being a night of nostalgia, the true beauty of ‘Seamonsters’ is it’s sonic of introspection and self-reflection. It gives everyone the breathing space for an hour; to ponder life, love, and loss, which, post-covid is akin to therapy.

The Wedding Present were never a force of nature but, they are a force to be reckoned with. They have an emotive power many would kill for. Long may they continue.

The Reytons: Chinnerys, Southend

Rotherham’s Reytons sold-out tour came to Southend two weeks ago. Truth be told, their phenomenon had passed us by. They were just a mid-card This Feeling band with too much noughties nostalgia, right?

Wrong! Although heavily indebted to the noughties, this was not parody but, the kind of pastiche that nudges the wheel, albeit slightly, forwards. However, whenever that decade’s chief exponent, the Arctic Monkeys came into play, their visceral beauty faded. ‘Expectations of Fool’ fell by the wayside and ‘Reckless’ strayed to ‘I bet You Look Good on the Dancefloor’ with a Boy Kill Boy haircut far too readily.

Images courtesy of https://www.filmfreephotography.co.uk/

Ultimately, it didn’t matter, the set was electric. Banger after banger with little or no rets between songs kept everything fizzing with punk glory.

Their venomous delivery took the best parts of 00s bands and made them feel like Spartan! ‘Harrison Lesser’ took the twanging glory of ‘Rock ‘n’ Roll Eyes’ (yes, Razorlight, they weren’t always shite) and the pop cadence Jon Windle (Little Man Tate) to aggressive new pastures. Meanwhile, ‘Mind The Gap’ took the musings of Jon McClure and Ed Cosens into a siege mentality, and ‘Sales Pitch for the Bus Ride Home’, the greatest song title in a generation, took aim at The Enemy’s penchant for sounding humongous and, thought, we can be bigger!

The key to everything on the night was credibility. It oozed from them. Independent through and through, they have risen to the cusp of big venues. The drama served up in their kitsch sink lyrics is exhilarating, people like them, like us, should always have their lives lit up in rock ‘n’ roll. The Reytons are most definitely their own beast, a headline animal to be seriously reckoned with.

In Earnest: Chinnerys, Southend

Southend’s In Earnest played their first headline gig at their iconic hometown (city) venue of Chinnerys last week.

Images courtesy of Rob Humm & the band.

October the 9th marked their release of their stunning EP ‘Reasons to Stay Alive’. A seamless piece of music that delves into the struggles of mental health in relationships. Not content with the challenge of recording the EP, of challenging discourse, in this fashion, their creative chops were again at full capacity. Playing the EP fully with seamless transitions was a joy to watch. Whilst physically, it may have looked frantic at points but, the guitar and pedal switches were delivered with aplomb. It added a bigger sense of drama to already tumultuous tracks like ‘I Feel Alone Even If I’m Not’ and ‘Hands Are Tied’.

They come as a collective but, it’s Sarah Holbourn’s voice are that people leave talking about. The harrowing lyrics are met with heaven-sent vocals to forge the most intimate of bonds with the Southend crowd. On ‘Put Me Under’, she drifts from Laura Marling to Phoebe Bridgers whilst songwriting partner Thomas Eatherton’s guitars shimmer with Bon Iver’s majesty.

Eatherton’s guitars, eloquent throughout, stack up to Holbourn’s beauty on several occasions. Whether it be the Ryan Adams-tinged ‘29’, the Cocteau Twins dreaminess of ‘Fables’, or the dreampop meets Billy Bragg, he has an ability to know when to let things breathe around him.

With another show at The Amersham Arms tomorrow and a film launch with Rooskin’s Rob Humm to supplement the EP in November, this is a band with serious creative chops that should not be missed.

Rooskin: Chinnerys, Southend

Southend’s Rooskin played their hometown venue Chinnery’s this past Friday in support of fellow local band The Waterfalls. Having been away for 19months, and with a big crowd in, could they deliver?

At times, Rooskin transcended music. Maybe it’s the long wait for gigs but, their brand of hazy love songs and sunny climates was the warming embrace Southend needed. ‘Donnie’ drifted across the coastline to thaw even the coldest souls with its infectious joy. Like all special songs, it began to take on new meaning via its lyrics:

“I’ve been looking for love / in all the wrong places / it’s been tearing me up and I’m sick of waiting”

The poor life choices and dangerous crutches society have leaned on to get through the lockdown flood to the surface. However, the effortless guitars and glory of the vocals ushered the room back to positive planes.

Upcoming single ‘Eloise’ (released 20th August), got its first airing and, did not disappoint. A sense of hope permeated the room. As they sing of the West Coast, a spirit powerfully forms and feelings that all is not lost and never give up filled hearts once again.

Rooskin’s laid-back nebulous is given an injection on set closer ‘Goldfish’. The added bombast brought about a clarity and future for all to follow them off stage with. Dreams and schemes among the young crowd were almost tangible as their licks and harmonies soared upon the horizon.

Music lovers will always discuss why certain bands don’t make it. Unlucky, the look, charisma, etc. In Rooskin’s case, there’s nothing to talk about. They look like a gang, bonded together by in-jokes, love, and desire. There’s a wit to their between-song patter that forges more love with the crowd. They have all the indefinable qualities to go with sublime alt-pop melodies. You simply cannot deny this band!

The Spitfires: Live in Southend

Watford​ three piece The Spitfires returned to Chinnery’s in Southend this past Saturday.

They came on the trail of their new single ‘Enough is Enough’, would it be enough to keep them in the hearts of Essex’s mods?

Roaring out of the traps with crowd favourite ‘Last Goodbye’ and ‘The New Age’. The fury of The Jam and melodic rumble of The Rifles combined with their playfulness to kick-start the dancing. A word that became omnipresent throughout.

New single ‘Enough is Enough’ took the defiant spirit of Hard-Fi’s debut ‘Stars of CCTV’ and threw in, well, everything! The brass, at times hinging on the love of Frankie Knuckles and at others, drawing upon ska, funk and soul they have become famed for. It’s such a raucous carnival affair that, it sets frontman Billy Sullivan freer than ever before.

Remember, their 4th album is imminent, this isn’t a band with a new sheen, this is one with crowd favourites. Nothing touched the vibrancy of the crowd’s reaction than on ‘Enough is Enough’.

Speaking of crowd favourites, ‘Something Worth Fighting For’ was sounding more desolate than ever, clinging to the last shred of hope in a world gone bat shit. Meanwhile. The blistering guitar solo on ‘Return To Me’ and the euphoria of ‘On My Mind’ defy all logic of the working classes in recent years. Social comment and escapist rebellion should always meet these standards!

It’s fair to say, they left Southend as favourite adopted sons

*Image coutesy of Tony Briggs

The Spitfires: Chinnerys, Southend

It's been just under a year since the Watford band ventured to the Essex coast. Their previous visit witnessed a solid outing, this time, an evolution to something far greater emerged.

Maybe performing on national TV (The Andrew Marr Show) and chiding against the middle of the road has been a huge confidence boost. Whatever it is, their playing was tighter and harder and lead to some jaw dropping moments.

The pre-fame fire of The Ordinary Boys was all over this performance. However, with The Spitfires, it feels more earnest and pure. The stripped back version of '4am' heightened this wonderfully. The lyrical desperation collided with jagged Bragg-esque guitar licks to deliver a sense of togetherness few can deliver. Too rare are fists raised aloft and strangers hugged in moments of sheer joy today.

They should be buoyed by their new songs in the set. There was no clear piss break tonight. 'Move On' and 'Something Worth Fighting For' have embraced their love of Ska and Dub. Whilst the lyrical intensity remains, there is a brevity to them which injects a skanking euphoria to the room.

The Spitfires have gone from a band that only music obsessed fans know about to, the one those fans will beg their friends to come see. They have hit that level where what they do is undeniable.

Breed: Chinnerys, Southend

Dear aspiring bands, in-between gigs, do as Clacton's Breed do, get better! Back in April, Breed played London's Water Rats and oozed potential. Last night in Southend, it all came together.

They're playing has sky rocketed and, as a result taken them ot a menacing new level. The whiff of sex and violence looms large in every song and, in frontman Jake and guitarist Max star power is emerging. The pair have that Richey Edwards '4 Real' factor about them. Dangerous and brutal, they brew a frothing disorder as their stomping rock n roll pounds away.

By the time of set closer 'Get With It', the Chinnerys faithful all know one thing, these small crowds wont be thing for long. Their blend of wayward psyche and brutal rock n roll is too powerful for other bands to share the stage with them.

Get Cape Wear Cape Fly! Chinnerys, Southend

“What’s a battle cry / If it falls on death ears”

A telling lyric from Westcliff’s Get Cape Wear Cape Fly. Especially, 12 years into his career with new material aplenty. Launching your career with a cult classic (‘Chronicles of a Bohemian Teenager’) can often have a damming effect. Just ask The Enemy and Glasvegas. Despite this, head honcho Sam Duckworth returned this year with ‘Young Adult’ and, this past Saturday, he brought it to his hometown venue Chinnerys.

Now backed with an 8 piece band (all outrageously handsome btw!), Get Cape sounds better than ever. This is particularly true of new material such as ‘Adults’, ‘Animate’ and ‘VHS Forever’. The youthful exuberance that bred so much hope and escapism in 2006 is still there, but now, the musicianship is on another level. These feel like staple set numbers of a decade!

This is further striking on ‘DNA’ and fan favourite ‘Lighthouse Keeper’. The latter, a great song about life in Southend, always breeds huge devotion from the Essex crowd. However, ‘DNA’, surpasses it with its older, wiser and reflective stance. Get Cape’s vocal is oozes into shore like the waves just a few hundred yards away with an elegant ease to marvel at.

Quite simply, this is the best version of Get Cape that’s ever materialised, go and watch for yourselves!

The Spitfires - Chinnerys, Southend

All too often, The Spitfires are written off as just another Jam revivalist band. Anyone in Southend last Friday surely has to dispute this, loudly!

They are band steeped in the English greats such as The Jam, Specials, Billy Bragg, and Madness. Sometimes, The Jam comparisons shine a little too bright but, with this much melody and passion, they seem destined to outrun this tag. 

This is particularly pertinent on ‘4am’. This earnest tale of abusive landlords stops Chinnerys dead in its tracks. Social comment is always a plus point in the alternative music community but, this poetic, and with this much integrity, a rare thing indeed.

Former singles ‘So Long’ and ‘Move On’ go down well. The Clash via The Beat inspired ‘Move On’ has the Southend faithful skanking whilst ‘So Long’, reminds us all of when The Ordinary Boys first emerged and were not fame hungry whores.

Whilst we have all be lauding Liam Gallagher’s new found confessional song writing style (and rightly so), The Spitfires, Sullivan in particular, nail this one epic song. ‘Spoke To Soon’ recounts a tale of degradation and personal failure towards a loved one whilst all around it, is a swirling Who via Arcade Fire epic.

With new material on the horizon, watch out as this has to be their breakthrough year.

Jordan Allen live at Chinnerys, Southend

It was a dank and dark Monday night in Southend, everything about it said ‘tough gig’ Bolton’s Jordan Allen supporting The Sherlocks. From the opening notes of ‘Dancing In The Dark’, it’s clear that Chinnerys stage was being owned by one only act tonight.

Allen is still finding his feet, has an array of influences, ranging from Little Man Tate to Courteeners to Fat White Family. However, what shines through is their confidence, ambition and remarkable ability to play at such a young age.

New single ‘110 Ways To Make Things Better’, is played with great spirit and, by the time Allen snarls the great lyric ‘you got to resurrect your reputation’, the Essex crowd is clearly on board with their dogma.

’Rosie’, didn’t garner the interaction they were after but, a bellowing Brixton Academy looms for this infectious indie number. They ended on ‘Helter Skelter’, which, has set opener written all over it once they established. The Strokes-esque guitars are begging for a beer lobbing frenzy.

Standing out a mile was former single ‘White Lines’. How can a man so young produce something so brooding and accessible? It takes the darkness of Fat White Family and morphs it with the psyche-punk that shone so brightly for Oasis in their formative years.

This obviously early days for Allen and his band but, the spotlight is there for the taking as long as the focus remains.

The King Blues: Chinnerys, Southend

Well on a cold Tuesday evening, The King Blues walked into Southend’s Chinnerys and took pride in who they wanted to be punk rock legends.

For only their second gig in 4 years, opening with a spoken word piece might have been a risky move. For King Blues’ leader Itch, however, this was no gamble. For any budding performers, this is how you do it. During ‘What If Punk Never Happened’ he makes the crowd laugh, angry, cry, hopeful, and entertained by the meaning of every single word of the poem.

New single ‘Off With Their Heads’ sends the crowd into a frenzy and ‘Taxi Driver’ almost brings about a riot. This is no reunion gig to earn a few quid. The band are back and their small army are ready for the journey once more.

The rest of the gig is made up of their back catalogue and in short, is punk rock heaven. ‘Mr Music Man’ has the crowd skanking as one whilst ‘Headbutt’ and ‘Lets Hang The Landlord’ to name but two, send a raucous crowd into a frenzy.

Every band will love their fans and vice versa. With the King Blues though, it’s different. There is affection between the two as if their performance is an act of kindness where they drag a mate out of the gutter. Not to do a disservice to the band but this largely comes from Itch. Is there anybody who embeds as much emotion into each song?

10 years on, he still has time for everyone at the merch stall afterward and for this drunk adoring journalist in the bar afterward. It’s not for good PR or the chance to sell a few more t-shirts. It’s because he genuinely got love, so much love, love in his heart and it’s a feeling he will never let go.