My Raining Stars – 89 memories

Former Nothing To Be Done member Thierry Haliniak is back with a new album under the guise of My Raining Stars. It follows the sublime ‘Obvious Reasons’ EP in 2020. Can the longer format meet the same standards?

89 memories is available to buy on Bandcamp.

My Raining Stars have made a name for themselves by reimagining Sarah Records, Creation Records, and the C86 scene for the modern day. On ‘If You’, ‘Too Soon’, and ‘Behind Her Lovely Smile’ they tread similar water. ‘If You’ plunges into the hazy beauty of Chapterhouse via New order’s ‘Ceremony’. ‘Too Soon’ combines the explorative drumming of ‘Vapour Trail’ with the eloquent beauty of the Cocteau Twins on this lo-fi gem. ‘Behind Her Lovely Smile’ however whilst drawing on Ride’s comeback album ‘Weather Diaries’ begins to transgress the past. The guitars are blessed with rock ‘n roll’s desperation to live; a moment Johnny Marr would be proud of! Haliniak’s ability to use his voice as the songs blissful release is utterly mesmerising.

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‘89 Memories’ ultimate strength is its positivity. In a world falling apart at the seams, the ecstasy of ‘The Way Things Turn’ and ‘Of ‘Time’ couldn’t be more vital. The former is a brooding lullaby sent from the angels. The beauty of The Orchids is met with brooding yet angelic Mark Gardener-esque vocal from Haliniak. It has great cinematic quality. The protagonist is thrust into the inciting moment and must seek out the light. Twisting and turning, desperate to fight their way to resolution, this track will not give up! Whereas, ‘Time’ taps into the jangle of The la’s and the power of The Real People to find new avenues of euphoria.

What keeps the album refreshing is Haliniak’s foray into more rock ‘n’ roll guitar playing. His sumptuous Ian Broudie-esque vocals on ‘From the Day She’s Gone’ is met with a direct and anguished urgency. The guitars brood in the verses before bursting into a display of melancholy reaching for escapism worthy of Johnny Marr. Whereas, ‘Sit and Stare’ takes Norman Blake’s melodic rumble to the edge of Weller and Craddock in the 90s.

These more instantaneous moments breathe vitality into Haliniak’s body of work that will surely win the hearts and minds of many new fans sooner rather than later.

My Raining Stars – Mirror

Alaska is perhaps the unlikeliest place for a band indebted to Creation and Sarah’s Records to emerge but, in My Raining Stars, the indie flag is flying high. Their latest single ‘Mirror’ is from their ‘Obvious Reasons’ EP released last November.

Many look those labels for inspiration, few can say they take from the angelic side of Creation and the harder edges of Sarah’s Records. It’s often vice versa and becomes a poor rehash. However, My Raining Stars have successfully revaluated the era to carve out a tiny space of the record shelf for ‘Mirror’.

The cuteness of Ride’s early work and the pop genius of MBV’s ‘Soon’ collide with the spirited noises of Brighter’s ‘Does Love Last Forever?’ and Gentle Despite’s ‘Darkest Blue’. Inevitably, it creates a beautiful sound but crucially, it has momentum and positivity. It goes beyond aching introspection and finds a space for hopeful romance.

Their EP ‘Obvious Reasons’ is free to download on their Bandcamp page and, on this showing, is well worth exploring.

Cinema Lumiere - Will You Catch Me?

Cinema Lumiere are a Manila-based four-piece made up of Jon Tamayo (vocals/guitar), Manny Gallo (drums), Sue Torrejon (vocals/bass), and Tan Evangelista (guitar).

Their hearts belong to C86 and Sarah’s Records which is always a fine starting point. With that in mind, here is our track by track review:

Love

A glorious riff echoing the love and summer dreams of Brighter and The Wake. Gentle and sweet, it meanders its way through a tale of romantic hopes and dreams that, even the most cynical can’t fail to be moved by.

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The EP is available from their Bandcamp page.

London Tears

A more lo-fi approach but less beautiful. The hazy swirl of guitars emanates an aimless, almost isolated sense of identity. While we mortals have our heads down, stressed, Cinema Lumiere lifts their heads high above the clouds.

The spirit of The Orchids’ ‘It’s Only Obvious’ burns bright here!

Will You Catch Me?

The Style Council’s sun-kissed adventure chimes with the joy of The Pastels on this romantic adventure. The nuggets of brass and the dual vocals bring the EP’s most triumphant moment.

Yet again, they found an outlet for an indie-pop solo to ripple across still water in the evening sun. If another band can bring a sense of peace and sunshine in 2021, then we’re in for a great year (we are owed one!).

Dreamcatcher

Beauty and melancholy collide in this cinematic tale of friends reassuring one another. Skins, This Life, Superbad, The Inbetweeners, and Sex Education, picture any of these coming age tales to these songs and your senses will come alive with glorious montages.

As lockdown rears its ugly head once more, their windswept solo fills the heart with all those you miss and the memories missed. However, their message is one of love so hang in there!

Beat Hotel - Beat Hotel EP

Based in Brighton and Plymouth, Beat Hotel, released their self-titled EP last Friday. Recorded at Church Road Studios in Hove, it will be released by Occultation Recordings, the home of indie legends The Wild Swans and Factory Star (The Fall/Blue Orchids founder/guitarist Martin Bramah).

All images courtesy of DC Cane

Frontman Paul Pascoe, driven by a sudden and painful end of a relationship, spoke of “facing down inner demons” whilst recording the EP. Like all hardcore music fans, Pascoe did so by delving into his record collection. Initially looking for comfort, Pascoe eventually found the inspiration that set him on his creative path 30 years ago.

'Bury It Deep' channels the distinct bass of Peter Hook and the fragile vocals of Bernard Sumner via Liverpool. The haze of Michael Head's Pale Fountains and Shack roams freely with the immediacy of Echo & The Bunnymen. Whilst Pascoe's youth is revisited here, the solo lends itself to his elder, more reflective self. It’s hauntingly withdrawn, akin to Noel Gallagher on 'Riverman ' and 'The Dying of the Light'.

The Liverpool connections continue on 'Daddy, I Drown' and 'Heat Light Fire'. The former, possesses the pop simplicity of Cast's 'Live The Dream' and the shimmering beauty of the Bunnymen's 'Lips Like Sugar'. Meanwhile, 'Heat Light Fire', takes the Bunnymen influences for a psychedelic walk with The Velvets and Jesus & The Mary Chain.

'Feel It' and 'Beat Girl', perhaps sums up Beat Hotel both now and in their former bands (The June Brides, The Loft, The Weather Prophets, Distractions, Mudlow, Mojo Fins and Lolita Storm). On 'Feel It', they've taken the dreamy rock 'n' roll of The Byrds and injected it with the raucous hiss of the Mary Chain. Like the great Mary Chain songs, behind the noise lies a great party riff.

'Beat Girl', takes The Wishing Stones 1986 cult classic on a journey through Sarah's Records. The cuteness of Aberdeen and Boyracer is brought to life on this cinematic meander downstream.

Beat Hotel may only be seen as often as a Snow Leopard but, they are no less beautiful. Anyone emotionally attached to the Children of Nuggets' era, should open their hearts to this EP.