The K’s: Nambucca, London

After supporting the The Rifles last October, The K’s, from Earlestown, put the UK on red alert. Last Saturday, they headlined This Feeling’s ‘Big in 2020’ at London’s Nambucca.

Their Roundhouse support slot, was eyebrow raising. Their Nambucca slot however, this was biblical. More aggression and venom found its way into their Northern escapism meets The Jam sound.

Frontman James Boyle furiously attacked his lyrics with real menace, an approach he should seldom stray from in future. This was the real deal. His naturally far reaching and angelic vocals, came with a nasty streak and elevated him to icon in the making status.

In a perfectly scripted twist of fate, Carl Barat, the guitarist of a generation was in the crowd. Such was the brilliance of Ryan Breslin’s lead guitars, it felt as though the baton was being handed over.

With a sold out gig in Manchester the 25th of this month on the slate, it rapidly becoming clear that we won’t get to see them in intimate venues for much longer.

*Image courtesy of Ricky Atterby.

Le Cygne Noir - Last Day Of My Life EP

After last year’s groundbreaking debut album ‘Shadow of a Wrecking Ball’, Le Cygne Noir has returned with a new EP. Last Day Of My Life’ was released on the 10th January via Cherry Red Records.

Here is our track by track review:

Last Day of My Life

The beauty of Bowie’s ‘Life on Mars’ informs so much of this song. The pianos are achingly beautiful as he sings about desperation:

“I wake up to a holocaust / my dearest dreams have all been lost”

So much pain, so much beauty, all wrapped up into the gentle but power opening minutes.

That is, until, it morphs into a Bunnymen meets New Order dancefloor filler. Arm in arm, love oozing from its pores, this is an anthem of unification. Throw in the sublime nod to Kraftwerk, and, it has it all!

Deadly Night Shade

If Gruff Rhys fronted Depeche Mode in a period of heavy Burt Bacharach and Scott Walker influence, this would surely be the results.

The sumptuous 60s melodies, Acid Jazz organs and the gothic vocals all combine to create images of Italian pastel coloured mods with goth eyeliner.

Deny the vocal hooks and the ecstatic guitar solo at your peril.

Red Light

The recent energetic psyche of Erland & The Carnival and Weller’s ‘Saturn’s Pattern’ & ‘Sonik Kicks’ combine with the nerve damaging Hawkwind and the freakier side of The Creation and Pretty Things.

On paper it sounds great, right? However, such is the quality of the previous two tracks, you are left feeling something is awry. The pop cut through has gone from the special madness he has created.

Fast Blood - Milo

Newcastle-Upon-Tyne’s Fast Blood are back with ‘Milo’, the second single from their debut EP (released 28th Feb).

Their previous single ‘You’, was full of Kerouac’s desperate romance and was gloriously euphoric. On ‘Milo’, these adventures have been replaced anxiety and nihilism. Hello darkness my old friend!

So often, music offers up happy lyrics to a sad song and vice versa. However, ‘Milo’ reminds us all, if your struggling, vent, vent and vent some more! The fractious stop start guitars are the perfect partner to Abigail Barlow’s desolate lyrics. Despite the rage, and the agony of the line “sad excuse of a useless heart”, her vocals are never without hope. It’s this, more than anything, that keeps you coming back to their anthemic despair.

The lo-fi guitars bring Idlewild’s work on ‘100 Broken Windows’ and classic Pixies to the fore. Splice in Barlow’s North East accent and a uniquely dynamic alt-pop niche materialising.

*Image courtesy of www.stevenlandlesphotography.com

Nada Surf – So much Love

Who among us hasn’t felt lost in recent years. Politically, culturally, financially, austerity, and the politics of hate have dominated. Just when political hope exited stage left, Nada Surf entered stage right!

Their new single ‘So Much Love’, taken from their ninth studio album ‘Never Not Together’, is the spark progressive minds need. The spritely guitars of LA’s are given the free spirit of British Sea Power’s ‘Bad Bohemian’ on this instant pop classic.

With tolerance and acceptance oozing from every note, the fractured times we live will disappear immediately. To find a melody this infectious nine albums in is astonishing. What other band has found a single this great this late on in their career?

*image courtesy of Annie Dressner

The Crooks - She Walks Alone

Chesterfield five piece, The Crooks, are a fledgling band in name only! They continually reach for the stars and, on previous single ‘Nevermind’, begun to nestle in alongside them..

*All images supplied by the band.

With Noel Gallagher’s early day dreaming euphoria in their hearts, they are song writing for headline slots. Noting has changed on their new single ‘She Walks Alone’, released on Friday 17th January.  

Barely two months since ‘Nevermind’, the progress is astonishing. Frontman Jacko, has innate ability to sing Noel’s Oasis songs as if her were Liam. That extra aggression, apace with emotive key changes breeds new life into the sound.   

The intricate influence of The Verve has added a depth to their sound. The opening Nick McCabe licks will put your excitement levels on red alert. Then, Mods’ solo strikes. The heady days of Steve Craddock’s OCS brilliance align with the shimmering genius of McCabe, it’s truly sublime!

Lyrically, they have elevated themselves too. The tormented soul who “walks alone in her mind” paints a tragic picture. Not to be downhearted, The Crooks’ infectious spirit comes to the rescue. With an encouraging arm around the shoulder, they lead their protagonist back to the promised land.

For so many, hope diminished last December. Some were even left crossing boxes in tears of shame. This song may well become a rock ‘n’ roll parable for the disaffected. Embracing the bad times, it paints a blueprint back to the good times.

Captain Handsome - Halloween

Captain Handsome is the eagerly anticipated side project of Fightmilk singer Lily Rae. Her latest single ‘Halloween’ is out today on all digital platforms and, will be followed by the physical release of the EP ‘I Am Not An Animal’ on 31st January via Reckless Yes.

From the opening strums of the guitar, you just know something brutally honest is coming. Rae, speaking about the track said “Halloween’ is part ode to Goth Christmas (the best day of the year) and part hardcore whinge about parties going wrong. If you've ever ended up as somebody else's funny story, I hope you manage to exorcise it and move on rather than putting horror strings into a three-minute lo-fi mope.”

Is it wrong to disagree? The sense of a soul crushed on the line “I had a bad time on the bathroom floor” at a party is something to rejoice in. If it’s never been you, you’re simply not living life romantically or dangerously enough.

The sinister strings build so much tension they should come with an anxiety warning, that is, until the release of the last chorus. What was once Rae’s deluge of sadness, becomes triumphant, an amusing footnote in a life clearly turned around to great success.

The tragic is magic. Let it in!

Reckless Yes currently have membership for the year open - included is all their releases this year, plus a load of other benefits and the knowledge you're supporting independent artists. The Captain Handsome EP is available to all members now and there's even an option to join Last Night From Glasgow at the same time and get all their releases too. More here - http://recklessyes.bigcartel.com

Twisted Wheel - Black & Blue

Manchester’s Twisted Wheel are back with their new single ‘Black & Blue’. The four piece release their third album 'Satisfying The Ritual’ (20 March 2020).

With mental health continuing to be a huge issue in the UK and, Christmas being a time of heightened anxiety for so many, Twisted Wheel’s heartfelt rock n roll could should open hearts and minds.

Lyrically, it’s their best work to date. There is no grand rock ‘n’ roll gestures here. The everyday reference points get to tragic nature of this illness. The portrayal of self-destruction, in a manner which creeps up on people gradually, is both commendable and harrowing.

When rocks bombast and life’s harsh realities combine, the expectation is a watered down ballad. Whilst Twisted Wheel have injected Soundtrack of Our Lives’ ability to be sorrowful, they have maintained their dangerous sound.

The single is available to buy here.

Gill Landry - I Love You Too

Two-time Grammy award winning singer-songwriter and multi-instrumentalist GILL LANDRY returns with his new single, ‘I Love You Too’. The track is taken from Landry’s upcoming fifth solo studio album Skeleton At The Banquet and is accompanied by a stunning new video.

Originally from Louisiana, Landry released 4 critically acclaimed solo albums with guests such as Laura Marling, Brandi Carlile, and Klara Söderberg (First Aid Kit). Having recorded and toured with, the best, the quality of this single comes as no surprise.

Packed full of drama like the great Nick Cave singles (which is all of them), Landry tells the tale of a man who has lost a grip on his identity. The slide guitar and Landry’s deep languid drawl paint a vast and lonely canvass.

The success of Peaky Blinders and it’s use of music has meant that, it has kind of become a genre in its own right. So much so, it’s impossible not to picture Tommy Shelby in a moment of inebriation recalling his love and pain for Grace Burgess.

‘I Love You Too’ is out now. Skeleton At The Banquet will be released 24 January 2020 via Loose on LP, CD and digitally. Pre-order the album here.

*Image courtesy of Alex Page

Nada Surf - Something I Should Do

Nada Surf recently announced their ninth studio album ‘Never Not Together’ is due for release February 7th via City Slang. To kick things off, they have released ‘Something I Should Do’.

It has been, at times, a ridiculous decade. At others, desperately worrying. The echoes of the 1930s have been sleepwalking there back into societies around the world. As the far right’s identity becomes more prominent, progressive influence has diminished.

Progressive liberalism has continuously lost votes, turned on itself, and, fragmented. As this decade closes, the New York icons have scratched away at the surface at let some much-needed light in to guide us through. Free yourself from social media, show more empathy and immerse yourself in art all seem obvious, but, via Matthew Caws’s heavenly vocals, they become gospel.

His lyrics hold much weight, not because of any Strummer-esque sloganeering, but, via their humbleness and honesty. His finger is on the pulse of what the human condition is in 2019. Wanting space to breathe but longing to belong in a social media dominated world is a different animal to anything seen in the last century. However, being kind hasn’t changed, and Caws eloquently advocates much more of it on and offline.

After 10 years of Tory divide and conquer tactics, and Trump’s acceleration into the abyss, this single, a chink of light for a more caring future is expertly timed.  They have drawn warm, embracing, and intelligent battle lines. Let heartfelt reason lead us to enlightenment once more!

*Image courtesy of Annie Dressner

Lacuna Bloome - My Girl Is A Supernova

With the commercialism of Christmas in full flight, the arrival of Lacuna Bloome’s romantic ode ‘My Girl Is A Supernova’ is perfectly timed. Released Wednesday 11th December, let their innocence and love soundtrack your festive season.

Previously, they have been concerned with re-imagining The Stone Roses for the modern-day. The last single ‘Plastic’ expertly does just that! ‘My Girl Is A Supernova’ witnesses their first real departure from their Mancunican idols. Sam’s guitars, subtler and straying into dreampop allow for Niall’s purist and his joyously romantic lyrics to truly shine before a crushing Robert Smith circa ‘Disintegration’ solo.

One thing that does remain from their love Roses is, the bass player and drummer had their moment in the sun too. Noah's drumming is the true star of this single. Devastating and life-affirming amid frontman Niall's couplets, he heightens thoughts of meeting the “one” tenfold.

Meanwhile, Molly's bass playing has taken on Mani and Simone Marie's (Primal Scream) ability to effortlessly link everything together with kick-ass hooks.

With the pop music adventure of Johnny Marr, The Cure, and Pet Shop Boys added to their arsenal, Lacuna Bloome continues to prove they are the hottest unsigned band in the UK.

*Image courtesy of @shotbybutch

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Death of Guitar Pop - Feeling Like a Right James Blunt

The time has come to cast your vote and make a real change. No, not the election (but please do vote). This Friday, Death of Guitar Pop release their Christmas single ‘Feeling Like A Right James Blunt at Christmas’. They have been killing it this past two years on the DIY scene, now, they are giving back with all proceeds going to mental health charity CALM.

Male suicide is still devastatingly high in the UK and, at Christmas time it hits a saddening peak. That said, this isn’t just some throwaway single for a good cause. This is the first Christmas classic since The Darkness’ ‘Christmas Time’ in 2003. It’s everything pop music should be, catchy, infectious and brings people together.

Lyrically, nothing will make you laugh more than this in 2019. Uncle Bet’s Lynx Africa sets and Uncle Trev’s racism are as comedic as they are melodic. As the brass soars, the backing choir-esque vocals bring home that warming feeling that, yes, we all buy into commercially but, when it comes from a humble and heartfelt place like this, it’s undeniable.

The fun doesn’t stop there though. The glorious parodies in the video of music video past are gut wrenchingly funny. Check out the video below, but, more importantly, buy it here:

https://smarturl.it/feelinglikejames?fbclid=IwAR2__P7JxQebofUzLtGphN0ImSL-5y1dBSn2mnrYeqzDAj1Pppj4Ugw4mCk

MOSES: Live at Water Rats, London

London’s MOSES signed of 2019 with a home city gig at Water Rats. It has been another year of great singles, and crucially, real creative growth.

Then, mid set, the bombshell was dropped. Frontman Victor announces lead guitarist Rory is playing his last show with the band. Two years ago, MOSES were very much a band that had a great frontman. On this night, they were tight as fuck, and it was Rory dying on his MOSES sword in glory.

Maybe it was supporting The Blinders in 2018 that turned the corner for Rory. Their slot with the Manchester/Doncaster three piece, all of equal greatness, returned MOSES to Cro Cro Land this past April ablaze. A spiteful punkiness permeated their rock n roll credentials to take them to another level. This power, was out in full force at Water Rats.

To date, MOSES have been a band who have been one paced. Luckily, it was always full tilt and exciting. ‘King Size’, ‘Cause You Got Me’ and singalong anthem ‘River Thames’ were all prime cuts of this energy. However, they’ve never fully done Victor’s song writing justice.

Now, with ‘Joy’ and ‘Findings’ in their live arsenal, they have the ability to take you on his emotional roller coaster. As he sings “give me hope, give me love, give me something that can help me find you” echoes of U2’s ‘Still Haven’t Found What I’m Looking For’ fill the room. His sense of loneliness in a city as overpopulated as London, is the modern day equivalent of Andrew Lincoln’s career defining performance as Egg in ‘This Life’.

What the future holds for MOSES post-Rory remains to be seen but, if this is all it was going to be, its how you sign off in style. It was Ali Cook scoring a ton in his last for England. With the growth shown in 2019 in the studio, it would be one hell of a waste though.

*image courtesy of Ana Ben Ana

Come At The King - Crazy Ugly Beautiful

London three piece Come At The King, release their debut EP ‘Crazy Ugly Beautiful’. Recorded at London Road Studios, it is released on the 15th November with a headline show the following night at Sebright Arms (London).

The title track is a gloriously filthy piece of rock n roll. If BRMC came from North London, this is how they would sound. Beset with pollution and the intense pace of life, Come At The King have set a huge marker for all future singles.

The EP is littered with some great rock n roll sloganeering. When ‘Hanging On’ decrees ‘feels like I’m always hanging on’, it’s done with such desperation you can feel the fingernails clenching in the mud. Meanwhile, on ‘Crazy Ugly Beautiful’, the defiant, my generation inspired ‘I do this better than you used to’

Despite having no budget, no label funding studio time, they have found a glorious way to change up their guitar sound on this epic intro to ‘Hanging On’. Although sonically worlds apart, the rebellious and drunkard spirit of Peter Green permeates throughout. Whereas, ‘Frauds’, suffers on the EP for lacking the star power of the other three.

The rock ‘n’ roll cover spectacularly went out of fashion in this decade. However, Shambolics now play ‘The Chain’, Lacuna Bloome play ‘She Bangs The Drums’ and The K’s play ‘Dirty Old Town’, its back! Rightly so too, it allows bands to cement their message in the early days. In this instance, it showcases how inventive the London three piece are.

Theatre Royal - Turn From Sleep

One of Medway’s true greats, Theatre Royal, returned last week with ‘Incidental Friend’ (Vacilando 68 Recordings) the lead single from their new EP of the same name.

Today, we look at the second track from the EP ‘Turn From Sleep’. Another fine example of what should be considered mainstream. infectious heartfelt melodies shimmering in the winter sun. It’s what we all thought The La’s might have achieved had they held it together.

Combining the spritely acoustic guitars of the The Woodtentops classic ‘Good Thing’ with the shimmering warmth of The Stands’ ‘I Need You’, they once again breathe fresh life into the Medway and Paisley genres.

We’ve said it before and we’ll say it again, Theatre Royal don’t make bad songs! Be sure to check them out at the Lexington supporting their Medway brothers in arms The Claim, January 4th 2020.

Kid Violet: Live at Water Rats, London

London’s Kid Violet kicked of Creation23’s Shambolics sold out night at the Water Rats last Thursday night.

There were moments when they truly threatened to outshine the headliners. The heavenly looping ‘Columbia’ meets ‘Cloudy Room’ psyche guitars of the opener ‘Be Happy’ showcased stadium filling rock n roll ambition. With togetherness and love at its core, it was for all the right reasons too!

The racing riffs of ‘London Wonderground’ walked a glorious line in between The Rifles and Foals. Two distinct alternative crowds that don’t always mix were lured together with devilish effect. Meanwhile, the glam stomping power of ‘I Don’t Care’ is packed with the outcast party spirit of Bowie’s ‘Rebel Rebel’ and has hit written all over it. However, ‘Spaceman’ reached for the escapism of early Noel Gallagher song writing but fell short of the Chief’s early glory.

In frontman Billy Cotter, Kid Violet have an icon in the making. The menace of Liam’s vocals, Miles Kane’s strut and the endearing nature of Slaves’ Isaac Holman ooze from Cotter effortlessly. Despite his star quality, they had a gang mentality. Zac Smiths bass playing had dancefloor hooks at almost every time turn whilst, Pawel Plejewski and Charley Wilkinson’s shared guitar parts continually sparked off each off other.

Yes, yes we did mention them in the same breath as Oasis earlier. Are they there yet? No. When that spirit is ignited, we’re rightly getting fucking excited.

Shambolics: Water Rats, London

Fife four piece Shambolics brought their brand of dreamy rock n roll to the London’s Water Rats last Thursday. Signed to Alan McGee’s impeccable Creation23, the buzz was tangible for their first sold out London date.

Some bands are forever better live than they are on record. For Shambolics, it was more a case of let’s playing with their influences. ‘My Time Is Now’ goes from a Miles Kane anthem to a Donna Summer colossus live. Meanwhile, ‘Fight Inside of Me’ took the extravagance of the Roses ‘Second Coming’ and injected it with the pop-punk of The Buzzcocks.

The set hit magical heights when they combined modern day indie-punk with the 1970s West Coast USA. ‘Sandra Speed’ showcased the blossoming partnership of Lewis McDonald and Darren Forbes. The shimmering guitars of David Crosby and the excess of Stephen Stills combined on a tale of pure escapism, it was undeniable.

Latest single ‘Chasing A Disaster’, walked the tight rope being heavily reliant on The LA’s and The View but, it’s infectious melody was too good to reject. Toxic masculinity, a hot topic of recent times was washed away with warm embracing and carefree dancing during these blissful four minutes.

When Gerry Cinnamon burst onto the scene in 2017, he reminded everyone just how popular tales of everyday are.  On ’When She Goes Home’, we’re given even a bigger reminder. Via Fleetwood Mac’s ‘The Chain’, Shambolics lit up the Water Rats with their tale of a naive female protagonist. Put through their CSN harmonies and early hooks of The View, they’ve built a joyous set closer for life.

The big challenge for Shambolics now is, converting all this magic into a killer album. It’s inevitable right?

The Twang - If Confronted Just Go Mad

“Your face, your race, the way that you talk”

Birmingham’s The Twang return today with ‘If Confronted Just Go Mad’, their first album in five years! Mixed by Mint Royale’s Neil Claxton, a guest appearance from Polar Bear and two new female members of the band, would this be a great rebirth?

Lead single ‘Everytime’ suggests it might just be. Sonically, they’ve always had a connection with sunnier climates, whether it be the jangle of ‘Subscription’ or the Mondays inspired ‘Cloudy Room’. However, on ‘Everytime’, with new band member Cat Mctigue shining like a star, they’ve tapped into the cool crisp soul of the 80s. This is poolside cocktails magic.

As the album grows, it becomes apparent, this is perfect blend of update and re-connection rather than Ziggy to Aladdin Zane reinvention. ‘Time Waits’, takes the debuts exuberance and channels it via carnival beats. Meanwhile, ‘Lovin’ State’ has the romanticism and guitar jangle of ‘Jewellery Quarter’. What they both share is, an older head delivering them. A humbleness permeates the lyrics. An appreciation of family and friends and that love is all you need are prevalent throughout.

‘Dream’, arguably the best example of everything they were and all that they will be. Etheridge’s Shaun Ryder via Mike Skinner vocal delivery collides with the indomitable groove of the Roses’ ‘Fools Gold’. Then Cat Mctigue vocals lend a devilishly joyous fresh impetus. Anyone not raising a wry smile at ‘Morrissey, he is still just Stephen’ is a humour vacuum.

‘It Feels Like You’re Wasting My Time’ witnesses their archetypal shimmering guitars and soaring vocals, but, with this measured approach, they bring a new sense of identity. Lyrically, despite obviously being a personal tale, fans will be hard pressed not to give way to feelings of angst The Twang (and their peers) were too readily discarded by the industry.

As Phil Etheridge sings ‘I give you everything sweat tears blood…it feels like I’m wasting my time’, thoughts of The Enemy, Glasvegas, Reverend & The Makers, The Rifles and The Courteeners great bands, all maligned will come to the surface. Despite this, Etheridge offers a way through:

 “It seems like we’re aint out time / I see now, you aint on my side”

With hooks like this, and younger audiences alive with excitement for DMAs, Gerry Cinnamon and The Shambolics, not only is The Twang’s return well timed, it seems heaven sent to unite generations of outsiders.

DMA's - Silver

The surprise package of the decade, DMA’s return to sprinkle hope and sunshine on the dreary UK winter skylines once more. Their latest single ‘Silver’, released via Infectious Music, is the leadoff single to their upcoming third album.

No one can touch Thomas O’Dell’s right now. His soft but intensely emotive vocals cut through every ounce of election bullshit we’re fed at present. The story, an almost a modern take on Nick Hornby’s High Fidelity, looks back on a failed relationship and how they consume the male protagonist’s mind years later.

The torment within the lines ‘It’s funny that I think of you right now / Knowing all the years that turned to clouds’ is agonising. It will set minds racing to the one who got away immediately and questions of how it all slipped away will lurk painfully.

Thankfully, through the soaring closing stages, they offer a chink of light:

“How do I redefine
All my love for you
I guess I look to the sun with you
How do I realise”

Their que sera sera moment will drag you from unatoned realms to sun-drenched climates instantly.  

If there is a sweeter sound than The DMA’s, by all means, let us know, we bet you’re wrong!

Theatre Royal - Incidental Friend

One of Medway’s true greats, Theatre Royal, return today with their new single ‘Incidental Friend’. It’s the leadoff single from their upcoming 4 track EP, released 22nd November via Vacilando 68 Recordings.

It’s the first release since 2018’s spritely jangle pop double A-side release of ‘All For Forward’ and ‘Better Say Goodbye’. Jarring in comparison, as, gone are their archetypal Big Star melodies. However, the adopted slower pace serves them well. It’s a chance for front man Oliver Burgess to prove just how adorable his vocals are. Full of romance and idealism, you’ll be hard pressed not to think of your one true love has he sings ‘dreamt of the places we’d go / we walked in the untouched snow’.

The stripped back, almost bluesy affair brings to mind their Medway peers The Claim, who they will be supporting in January at the Lexington. It’s almost the perfect sonic for them. The sumptuous harmonica anchors them into their grey industrial landscapes which, in turn, allows the lyrical romanticism to escape further.

I you can’t wait for the January gig with The Claim, they will be supporting the legendary Woodentops at The Lexington 9th November.

MOSES – You Need L

London’s MOSES have returned today with their new single ‘You Need L’ via Anti-Fragile Music. Recorded at Garden Studios, they once more stepped into the recording booth with the legendary Gavin Monaghan.

If ever there was a band ready for a slot across mainstream airwaves, it was MOSES. Always scintillating and emotionally uplifting live, they have continually delivered the goods for 18 months. Now, on ‘You Need L’, they have delivered their most creatively daring single to date.

Lyrically, it’s so delicate, whilst all around them is warped psyche-punk mayhem. If ever there was a musical indictment of the times, this was it! In 2018, they put out the eye catching ‘River Thames’ and ‘Cause You Got Me’. Raucous and lovable indie-punk, nothing new, but right in a slot of high quality anthems to be loved. Here though, they’ve said “to hell with that” and made academy sized singles sound underground and deranged.  

Just as you expect a clichéd thrash of the guitars, they pivot away to pastures new. It’s more challenging and interesting than all of their previous infectious work. Prime example being the dystopian ‘oooooooohhhhhhhhhs’. It’s not as spiky as IDLES and not as Melodic as The DMA’s but, there’s a tightrope being walked here that deserves equal respect.

They round of another captivating year at the Water Rats (London) Friday 22nd November. Expect a warped frenzy of a party!

*Image courtesy of Ana Ban Ana